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| | Hudson Review, The: Northernness and Other Considerations: At the Museums and Elsewhere (Site not responding. Last check: 2007-10-16) |
 | | Together, the Tetrode and Goltzius exhibitions formed an intensive course in Dutch Mannerism-the high style art of the late Renaissance -with emphasis on the connections between Netherlandish artists of the period and their Italian colleagues, a relationship that has been considerably rethought during the past two decades. |
 | | Many of the exhibited bronzes were reductions of famous works from antiquity, made to satisfy the appetites of eager collectors, such as the surviving portions of an astonishing ensemble commissioned by the Count of Pitigliano. |
 | | At the Frick, a footnote to the Tetrode show, explaining bronze casting, introduced his fellow Netherlander, Goltzius, with a selection of his virtuoso engravings of Roman emperors and classical deities, all sporting mustaches more evocative of ancient Gaul than the age of the Caesars. |
| www.findarticles.com /p/articles/mi_qa4021/is_200401/ai_n9354618 (954 words) |
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