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| | Textiles and Costumes in Early India |
 | | In relation to textiles, three categories of Harappan finds are more significant : stone sculptures, the priest statuette draped in a shawl being of exceptional significance; terracottas, figurines of the Mother goddess, various male and female icons, and seals carved with human figures; and metal-casts, mainly the statue of the undraped dancing girl. |
 | | Contrarily, the main emphasis of the Jain and Buddhist texts is on textiles, cotton in particular, and related activities — tailoring, printing and dying, as also spinning and weaving, though fur garments also figure in some of the Jain and Buddhist texts and monks were allowed to have a strips of deer-skins. |
 | | These texts are quite elaborate in their details of various textiles — vastra or vasana made from kauseya, a silk produced from cocoon, not silk-worms; linen made from flax; dhanga, another class of linen made from hemp plant; karpasa, cotton; and, wool obtained mainly from sheep and goats. |
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