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| | From the Mississippi to the Mersey |
 | | These are the voices of local Black musicians, past and present, and the music they made, whose influence on Mersey Beat has not just been ignored but to a large degree erased totally from the musical culture of Liverpool. |
 | | Quite simply, the basic harmonic structure that the Beatles and other local bands employed was firmly rooted in the traditions of black acappella/R'n'B. Furthermore, the sounds that sprang from the city in the early Sixties, Mersey-Sound, were predominantly cover versions of Black R'n'B artists, who had either gained little or no release in the UK. |
 | | Jerry Wexler, one of the musical legends in his producing of black popular music from the early 1950s through the Atlantic label, said that whenever he visited New Orleans "I hear voices." For over two centuries in the slave auction square, the Place du Congo, there was the never-ending sound of shifting rhythms. |
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