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Topic: The Big Broadcast of 1936

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	Carlos Gardel in THE BIG BROADCAST OF 1936
		Carlos Gardel in THE BIG BROADCAST OF 1936
		In May, 1936, Paramount Pictures released in Buenos Aires their production titled THE BIG BROADCAST OF 1936.
		So, the american version of THE BIG BROADCAST OF 1936 is the only chance to watch and listen Gardel in English.
	www.gardelweb.com /the-big-broadcast-of-1936.htm (454 words)

	Political Television 1936-55
		Party election broadcasts had begun on radio in 1924, and the BBC wondered whether the parties might be interested in making some for television.
		Samuel’s live broadcast was not a big success: he spent the whole of his broadcast reading his speech, rarely looking up at the camera, and over-ran by several minutes.
		The broadcast was a big success with the critics who were fooled into thinking it unrehearsed (“Hail to Anthony Eden, the scriptless wonder.
	www.election.demon.co.uk /pt1.html (3053 words)

	Re: THE BIG BROADCAST OF 1936 (Paramount, 1936) (Site not responding. Last check: 2007-10-15)
		Finkielman has offered the opinion that without the missing Carlos Gardel scenes The Big Broadcast of 1936 is "worthless." I agree with him that it is an unremarkable film - much the weakest entry in the generally superior Big Broadcast series.
		However, I strongly disagree with his confident assertion that "nobody ever cared for" the many other well-known radio and musical performers who appear in the film, and that the _only_ reason anyone would ever want to watch the movie today is because it contains Gardel's last performance on film.
		As for the missing Gardel sequences in The Big Broadcast of 1936, I completely agree with Mr.
	palimpsest.stanford.edu /byform/mailing-lists/amia-l/2001/06/msg00151.html (529 words)

	MSN Encarta - Bing Crosby
		After performing with various bands, the trio was featured with the Paul Whiteman Orchestra, with whom they made their film debut in King of Jazz (1930).
		The following year Crosby left to become a nightclub performer, soon landing a recording contract and a 15-minute radio show on the Columbia Broadcasting System, Incorporated, that would lead to his becoming one of the most popular male singers of the 1930s.
		In 1932 Crosby signed a contract with Paramount Pictures, Incorporated, and achieved success with his first feature film, The Big Broadcast (1932).
	encarta.msn.com /encyclopedia_761575195/Bing_Crosby.html (394 words)

	A Time to Shine - The 1936 Olympics
		Germany had been named to host the 1936 Olympics years before the event was to occur.
		Hitler was the dictator, or soul ruler, of Germany when 1936 rolled around.
		In 1935, an Ohio State athlete named Jesse Owens was breaking records right and left at the Big Ten Track and Field Championships.
	www.edhelper.com /ReadingComprehension_35_670.html (331 words)

	Dorothy Dandridge - Films as actress:
		Career: Motion picture debut in 1936 with the Dandridge Sisters performing a musical number in The Big Broadcast of 1936.
		The Big Broadcast of 1936 (Taurog) (as a member of the Dandgridge Sisters)
		In 1936 The Dandridge Sisters debuted in Hollywood, performing a musical number with theater and film star Bill Robinson in Paramount Picture's The Big Broadcast of 1936.
	www.filmreference.com /Actors-and-Actresses-Co-Da/Dandridge-Dorothy.html (1027 words)

	The Official Nicholas Brothers Website (Site not responding. Last check: 2007-10-15)
		The Broadway debut of the Nicholas Brothers was in the Ziegfeld Follies of 1936, in which such stars as Fannie Brice, Bob Hope, Eve Arden and Josephine Baker appeared.
		The Nicholas Brothers act at the Follies, stopped the show so consistently that Fannie Brice, who followed in a skit with Judy Canova, was always forced to fall back regularly on a line at her first opportunity: "Do you think we can talk now?", which made the audience laugh, and then become quiet.
		The Nicholas Brothers' Broadway debut was in the Vincent Minelli-directed and George Balanchine-choreographed "Ziegfeld Follies" of 1936, with Bob Hope, Eve Arden, Fanny Brice, and Josephine Baker.
	www.nicholasbrothers.com (2192 words)

	Broadway: The American Musical . Stars Over Broadway . Ethel Merman \| PBS
		Merman went to Hollywood in September 1933 and costarred with Bing Crosby in the film WE'RE NOT DRESSING, released in April 1934, and with Eddie Cantor in KID MILLIONS, released in November 1934.
		(Her cameo in BIG BROADCAST OF 1936, released in September 1935, was actually an outtake from WE'RE NOT DRESSING.) She scored a hit in November 1934 with "An Earful of Music" (music by Walter Donaldson, lyrics by Gus Kahn) from KID MILLIONS.
		She returned to Broadway-and to her greatest success yet-in Cole Porter's "Anything Goes" (N.Y., Nov. 21, 1934), which ran 420 performances with a score that included "You're the Top" and "I Get a Kick Out of You," both of which she recorded for hits.
	www.pbs.org /wnet/broadway/stars/merman_e.html (1155 words)

	Arts Council for Wyoming County
		(1936) Paramount, Produced by Howard Estabrook, Directed by Frank Lloyd, Scenario by Walter Ferris, Bradley King, and Durward Grinstead, based on a story by Bradley King, Music by Victor Young.
		(1936) Paramount, Produced Lewis E. Gensler, Directed by Mitchell Leisen, Scenario by Walter DeLeon and Francis Martin, based on a story by Erwin Gelsey, Arthur Kober, and Barry Trivers, Songs by Ralph Rainger and Leo Robin, Choreography by LeRoy Prinz.
		With this all-star cast, itÕs a one-of-a-kind satire on broadcasting, about the efforts a station manager to placate his demanding advertisers and the rivalry of a small-town singer (Ross) and an egocentric radio star (Forest).
	www.artswyco.org /Film_Series.htm (5630 words)

	Solid! -- The Melodears (Site not responding. Last check: 2007-10-15)
		All-female big band formed in 1934 by music agent Irving Mills and led by Ina Ray Hutton.
		In 1936 Eddie Durham took over as music director while Hutton continued to lead onstage.
		The group made several musical shorts as well as an appearance in Paramount's Big Broadcast of 1936.
	www.parabrisas.com /d_melodears.html (103 words)

	Harold Nicholas, 2000/04/07 (Site not responding. Last check: 2007-10-15)
		Harold appeared in more than 50 movies, including "The Big Broadcast of 1936'' (1935), "Down Argentine Way'' (1940), "Tin Pan Alley'' (1940) and "Sun Valley Serenade'' (1941).
		Fred Astaire told the brothers that their dazzling footwork, leaps and splits in the "Jumpin' Jive'' dance in "Stormy Weather'' (1943) produced the greatest movie musical number he had ever seen.
		The two became big film stars despite racial restrictions at the time prohibiting speaking parts and scenes with white co-stars.
	www.eijkhout.net /rad/dance_offnet/obituaries4.html (341 words)

	The Official Nicholas Brothers Website
		The Broadway debut of the Nicholas Brothers was in the Ziegfeld Follies of 1936, in which such stars as Fannie Brice, Bob Hope, Eve Arden and Josephine Baker appeared.
		The Nicholas Brothers act at the Follies, stopped the show so consistently that Fannie Brice, who followed in a skit with Judy Canova, was always forced to fall back regularly on a line at her first opportunity: "Do you think we can talk now?", which made the audience laugh, and then become quiet.
		The Nicholas Brothers' Broadway debut was in the Vincent Minelli-directed and George Balanchine-choreographed "Ziegfeld Follies" of 1936, with Bob Hope, Eve Arden, Fanny Brice, and Josephine Baker.
	www.nicholasbrothers.com /index.htm (2180 words)

	Benny Goodman
		Following the musical migration out of Chicago and into New York, Goodman became a very successful and popular free-lancer, joining the likes of Tommy and Jimmy Dorsey in New York studios.
		In 1934 Benny put together his first big band, featuring Bunny Berigan on trumpet, Jess Stacey on piano and Gene Krupa on drums.
		Goodman spent the next fifty years recording and touring with various groups big and small, including some very successful trips to Russia and the Far East.
	www.redhotjazz.com /goodman.html (362 words)

	VH1.com : Movies : The Big Broadcast of 1937 : Main
		The third film of Paramount's "Big Broadcast" series follows the pattern of the first two...
		The third film of Paramount's "Big Broadcast" series follows the pattern of the first two titles: negligible plot with plenty of memorable music and guest stars.
		Jack Carson (Jack Benny) owns the radio station this time out; he doesn't get along with the sponsors, and many are threatening to pull their advertising off the air.
	www.vh1.com /movies/movie/52433/moviemain.jhtml (119 words)

	Screen Chronology
		Big Broadcast of 1936, The ** - All-star specialties don't do much to enliven a nonsensical plot involving a troubled radio station.
		Broadway Melody of 1936 *** - Dancer Eleanor Powell woos childhood sweetheart, producer Robert Taylor.
		Big Broadcast of 1938, The ** - All star casting can't redeem this ragtag collection of songs and skits.
	www.musicals101.com /fc35to39.htm (1139 words)

	Who are Asa Bundy Sheffey, John Birks Gillespie and Fayard Nicholas?
		Their Broadway debut with the Ziegfeld Follies of 1936.
		The list includes "Sun Valley Serenade", "Big Broadcast of 1936", "Orchestra Wives", and "Stormy Weather".
		In "Stormy Weather" they did a routine on a set with steps three feet high in which they do flying splits over each other, not only down the steps but up them as well.
	www.suite101.com /article.cfm/bahai_faith/89448/2 (572 words)

	Movies.com filmography! Francis Martin (Site not responding. Last check: 2007-10-15)
		The Big Broadcast of 1938 (1937) - Writer
		The Big Broadcast of 1937 (1936) - Writer
		The Big Broadcast of 1936 (1935) - Writer
	movies.go.com /filmography/film?person_id=184826 (61 words)

	Trivia for The Big Broadcast of 1937 (1936) (Site not responding. Last check: 2007-10-15)
		Trivia for The Big Broadcast of 1937 (1936)
		Shortly after arriving in the US from Germany, 'Oskar Fischinger ' was contracted by Paramount Pictures to create an animated sequence (in Technicolor or Gasparcolor, sources differ) for this movie.
		Fischinger later released his color version as Allegretto (1936).
	synge.imdb.com /Trivia?0027356 (182 words)

	Bing Crosby JASCD113/4 JASMINE Going Hollywood, Vol. Two: 1936-1939 604988011326 HASMICK PROMOTIONS CD (Site not responding. Last check: 2007-10-15)
		By mid-1935, the time reached on the first volume of Bing Crosby's "Going Hollywood" (JASCD 108/9), Bing had become one of the top stars of screen, radio and records.
		Crowds were flocking into cinemas across the nation to see "Two For Tonight" and "The Big Broadcast Of 1936".
		Three records of songs from the former picture were in the best selling lists whilst his record of "I Wished On The Moon" (from the latter film) was at the number two position, beaten only by Little Jack Little's "I'm In The Mood For Love".
	hasmick.co.uk /jascd-113-114.html (179 words)

	Online NewsHour: Jeffrey Kaye report on George Burns turning 100 years old -- January 19, 1996
		BARRY MIRKIN: "As this big day came closer and closer, people kept asking me what I would like for my hundredth birthday.
		GEORGE BURNS: ("Big Broadcast of 1936") This machine, the Radio Line, will even do more than I said it would.
		GRACIE ALLEN: ("Big Broadcast of 1936") Well, I should say we don't expect you to swallow it.
	www.pbs.org /newshour/bb/entertainment/burns.html (1345 words)

	[No title] (Site not responding. Last check: 2007-10-15)
		He had been a government official, working in Egypt for the Foreign Broadcast Information Services of the United States, before joining the AFB research staff in 1959.
		Before joining the Ziegler, he held a variety of positions in the communications industry, including writing news stories for print and broadcast outlets, as well as handling public relations duties for such diverse organizations as a Shakespeare festival, a university sports information office, and a school for blind children, where his interest in blindness developed.
		The magazine's peak circulation was reached in 1936, when its three editions went to 12,400 readers.
	www.zieglermag.org /history.html (7166 words)

	Collateral Works: Liner Notes (Ina Ray Hutton)
		In the two years prior to the start of World War II, Ina Ray Hutton and Her Orchestra, as the new band was called, made a number of recordings for Okeh and Elite.
		During the war, however, their greatest source of recorded output came from broadcast transcriptions produced by the Armed Forces Radio Service (AFRS).
		Ina Ray, again, disbanded her orchestra, in 1944, during that same fateful December when so many big band leaders called it quits.
	www.collateralworks.com /linernotes/inarayhutton.html (562 words)

	Ohio Music History
		Raised in a broken home, she learned some singing and dancing in Cleveland, then she and her sister moved to Hollywood.
		Her first big break was in an act called "The Dandridge Sisters" in the "Big Broadcast of 1936." After a first bad marriage, she worked with Phil Moore, who assisted her with her singing and image.
		After a period of night club and lounge work, her stage and screen career took off.
	www.docjazz.itgo.com /custom.html (300 words)

	Bing in the Movies (Site not responding. Last check: 2007-10-15)
		Bing starred in 55 full-length motion pictures, beginning with "The Big Broadcast" in 1932 and ending with a television movie, Dr.
		He starred in about a dozen short movies ("Please," "Just an Echo" and "Blue of the Night") and made numerous cameo appearances ("The Big Broadcast of 1936," "Let's Make Love" and "That's Entertainment").
		Bing made several unbilled cameos in Bob Hope's movies ("Princess and the Pirate," "My Favorite Brunette," "Son of Paleface" and "Alias Jesse James") where Bing dropped in just in time to steal the girl from Hope.
	community.mcckc.edu /crosby/movies.htm (138 words)

	Dorothy Parker
		Among her best-known pieces are 'A Big Blonde', which won her O. Henry Memorial Award, and the soliloquies 'A Telephone Call' and 'The Waltz'.
		During the 1920s Parker had extra-marital affairs, she drank heavily and attempted suicide three times, but maintained the highs quality of her texts.
		SUZY, 1936 - screenplay with Alan Campbell, Horace Jackson, Lenore Coffee, dir.
	www.kirjasto.sci.fi /dparker.htm (1191 words)

	David Holt Biography at Hollywood.com (Site not responding. Last check: 2007-10-15)
		Holt and his mother made the rounds of casting calls in the same car with the mothers of two other fledgling young performers: Shirley Temple and Jane Withers.
		Temple famously struck it big at Fox Studios, and for a time it looked as if Holt would follow suit.
		His first important role--as a boy whose mother dies in "You Belong To Me," a 1934 Paramount tear-jerker--prompted executives to sign him to a long-term contract.
	www.hollywood.com /celebritydetail/David_Holt/1612008 (637 words)

	The Fat Man
		By the time the Brad Runyon role came around, Jack was already a veteran stage, movie and radio actor, and he had the stage actor's contempt for radio.
		At times he could be downright cynical about how things were done in the broadcasting industry.
		For instance, he once suggested that it would have run true to form for ABC to hire a "scrawny string-bean with a thin, asthmatic voice to convey the impression of weight over the air." And Mary-Leigh reports that he used to call himself a "high-priced whore" for having to do radio work to support himself.
	www.old-time.com /sights/fatman.html (2715 words)

	Moviefone: The Big Broadcast of 1936 Movie
		Synopsis: After a false start in 1932, Paramount's Big Broadcast series was jump-started in late 1935 with The Big Broadcast of 1936.
		The Big Broadcast of 1936, [Guest], Paramount, 1936 Rhythm on the Range, [Jeff Larabee], Paramount, 1936 Anything Goes, [Bill Crocker], Paramount, 1936...
		Discuss this movie with other users on IMDb message board for The Big Broadcast...
	movies.channel.aol.com /movie/main.adp?mid=1052937 (234 words)

	Amazon.com: Going Hollywood, Vol. 1: 1930-1936: Music: Bing Crosby (Site not responding. Last check: 2007-10-15)
		My personal favorite was "Our Big Love Scene," which is truly under-heard and definitely one of his best.
		Not that I was around in the '30s, but I can remember sitting in front of a fl and white TV in the '50s and trying to imitate Bing's "babababoom" and golden baritone.
		"Temptation" may be the greatest of his torch songs, but there's plenty of competition for that honor in the present collection, including "Here Lies Love," "Please," and "I Wished on the Moon," this latter from "The Big Broadcast of 1936," a film that featured Ethel Merman and the Vienna Boys Choir.
	www.amazon.com /Going-Hollywood-Vol-1-1930-1936/dp/B0000060HP (1029 words)

	American Songwriters (Anniversaries) (Site not responding. Last check: 2007-10-15)
		This well known Big Band musician and band leader was at one time in the 1930s teamed up with his brother Tommy, but they formed their own Big Bands during the 1940s.
		Glenn Miller was a highly accomplished trombonist but he is probably best rememered for leading several outstanding Big Bands and recording a series of some of the biggest hits of the Big Band Era.
		It was sung by Bob Hope and Shirely Ross in THE BIG BROADCAST OF 1938.
	m2.aol.com /musbuff/page86.htm (6868 words)

	The Big Broadcast of 1936 (1935) (Site not responding. Last check: 2007-10-15)
		IMDb > The Big Broadcast of 1936 (1935)
		I'd avoid it like the plague if I were you.
		Discuss this title with other users on IMDb message board for The Big Broadcast of 1936 (1935)
	us.imdb.com /Title?0026113 (278 words)

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