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| | The Bridge on the River Kwai |
 | | The Bridge on the River Kwai begins in 1943, in a labor camp where the Japanese General Saito (Sessue Hayakawa) organizes hundreds of English, Australian, and American into the principal strategic act of creating the titular bridge. |
 | | Nicholson is so proud of the bridge his soldiers have constructed, so sure that the product of their labors will last, that he appears more enamored of this feat—which is, after all, a strategic gain for the Japanese, not the British—than he is of his ostensible as the campaigner for British interests. |
 | | Meanwhile, the bridge looms ever larger in the background of Hildyard's shots, the simultaneous emblems of British accomplishment and Japanese interest and therefore an eloquent symbol of the film's delicate ambiguities. |
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