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| | TIME.com: Review -- Nov. 11, 1957 -- Page 2 |
 | | There were absorbing glimpses of malefactors from George ("Machine-Gun") Kelly to Fritz Kuhn and his Nazi German-American Bund, as well as behind-the-scenes sleuthing heroes at work in the FBI's Quantico, Va. laboratories. |
 | | Shawn on TV choreography: "The cameras are so nervous they're always coming up under the girls' skirts or having wind machines or closeups. |
 | | Instead, in its grave, concert-hall atmosphere and the overearnest tone of introductions by Composer Norman Dello Joio, the TV men presented the music as if it were spinachvery good for you, but rather forbidding. |
| www.time.com /time/magazine/article/0,9171,867963-2,00.html (621 words) |
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