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| | TIME.com: That Old Feeling: Mercury, God of Radio -- Page 2 |
 | | "Everybody likes a good story," he said when "Campbell Playhouse" began, "and I think radio is just about the best storyteller there is." Thomson sees an ideal match of this man and this medium: "[H]e loved to float away on his magic carpet of a voice into adventure, romance and flat-out nonsense. |
 | | Victor Hugo’s famous set pieces the Bishop’s Chris-tian grace, the trial that sends Valjean back to prison, his haggling with the inn-keeper to win Cosette’s freedom, the final confrontation with Javert and his last words to his adopted daughter all are realized with an enthralling depth and immediacy. |
 | | Before the sponsor agreed to move "Campbell Playhouse" from New York to Los Angeles, where Welles was preparing his first Hollywood film, he pulled a weekly transcontinental commute logging, according to one account, an amazing 311,245 air miles and earning a frequent flyer award as TWA’s best customer of 1939. |
| www.time.com /time/arts/article/0,8599,172672-2,00.html (1220 words) |
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