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| | Gavin Keeney Stendhal and the Form of Memory |
 | | As such, it is also best to race through The Charterhouse of Parma, non-stop (if you can), and to battle your way, saber held aloft, through The Red and the Black. |
 | | In the latter case - that is say, what is to come - we hear the low, faintly-discernible, yet impassioned call of The Charterhouse of Parma (1839), a landmark that only emerged from Stendhal’s impassioned imagination after The Red and the Black (1830), and, according to legends about his method of composition, non-stop. |
 | | Stendhal writes in the fictionalized Foreword of The Charterhouse of Parma that this tale, arguably his finest work, was written “in the winter of 1830,” when, in fact, it was dictated between November 4 and December 26 of 1838. |
| www.fluxfactory.org /otr/keeneystendhal.htm (1332 words) |
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