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| | Exclaim! Canada's Music Authority |
 | | The Terrys, Jones and Gilliam, discuss the film treatments they contemplated (and that Gilliam would clearly have preferred), including Monty Python’s World War III and one in which the troupe would be put on trial for crimes against film. |
 | | No matter: Gilliam was hardly there, since he got a soundstage, crew and gobs of cash to make his short film, The Crimson Permanent Assurance, on his own. |
 | | It’s oddly curious that in the commentary, Gilliam actually confuses his own career, referring to Brazil’s influence on his Crimson short, when the reverse is actually true. |
| www.exclaim.ca /index.asp?layid=22&csid=774&csid1=1929 (332 words) |
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