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| | Krzysztof Kieslowski |
 | | Defined as Kieslowski's experimental, transitional work for Polish television, Decalogue is, in itself, a monumental achievement: a remarkable examination of moral tale colliding, and often yielding, against the bounds of human frailty. |
 | | Invariably, Decalogue proves to be a testament for the venerable director as well, a profound observation on the trials and tribulations of everyday life, reflected in complex ways - direct and abstruse - but all fundamentally, and infallibly, human. |
 | | In the haunting final sequence that markedly diverges from the resigned and disaffected conclusion of Decalogue VI, Magda is able to look through a metaphoric window into her own calloused, world-weary soul, and is provided with a glimpse of humanity that still remains intact. |
| www.filmref.com /directors/dirpages/kieslowski.html (2185 words) |
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