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| | Mark Dresser and the new avant-garde |
 | | As heard on Dresser's "Eye'll Be Seeing You" (Knitting Factory), his music ranges from atonal bass squeaks atop Cecil Taylor-like piano chord clusters to poignant folk-like melodies for trio of bowed bass, clarinet and piano to eerie sound effects to funereal organ lines to breezy, Sonny Rollins-like calypso. |
 | | Rather, it's the utter logic of the approach, the ease with which the composer melds the styles together, to the point where style or genre disappear, and all that's left are melody, texture and narrative statement in the overall service of mood, form and beauty. |
 | | Dresser, like Zorn, Coleman, and other like-minded avant-gardists, including Frank London ("The Debt"), Phillip Johnston ("Music for Films") and Gary Lucas ("The Golem"), is drawn to the challenge of scoring improvisational music for film precisely for the creative tension imposed by the film's narrative structure. |
| www.berkshireweb.com /rogovoy/thebeat/beat000410.html (1041 words) |
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