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| | Veronica Hollinger- (Re)reading Queerly: Science Fiction, Feminism, and the Defamiliarization of Gender |
 | | These oppositions structure the conflict between Deirdre, who plans to resume her performing career in spite of her cyborg status, and the two men who are closest to her, Maltzer, her "maker," and John Harris, her adoring manager, who is also the point-of-view character in Moore’s text. |
 | | Tiptree’s politicization of gender in this story intersects with her critique of the society of the spectacle—the parallels between "The Girl Who Was Plugged In" and Moore’s earlier story are both intriguing and suggestive. |
 | | As Frankenstein argues to himself, the Creature "had sworn to quit the neighborhood of man and hide himself in deserts, but she had not; and she, who in all probability was to become a thinking and reasoning animal, might refuse to comply with a compact made before her creation" (150). |
| www.depauw.edu /sfs/backissues/77/hollinger77.htm (7300 words) |
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