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| | Bertonneau - The Golden Bowl |
 | | The real bowl was, by the account, of solid plate, while the novelistic object covers its crystal with mere gilt; the real bowl was intact, while the novelistic object hides beneath its surface an invisible and disfiguring rupture. |
 | | Fawns as a place is, like the bowl as an aesthetic object, timeless, as witness the cyclic reconvention there at every season of the same old company, even, in the end, the competing ladies whom Charlotte had previously driven away. |
 | | The Greek temples, Palladian Churches, pagodas, golden baths, corruscations of solar and purple light; the red blaze of galleons aflame, the invocations of Io, Ariadne, Tristan and Isolde: all these metaphors of sublimity, culled from the stock-in-trade of French poets and romanciers, signify the pandemic vanity and vertiginous confusion of Fawns. |
| www.anthropoetics.ucla.edu /ap0402/gbowl.htm (13675 words) |
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