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| | Gong Show |
 | | Mark Morris's Gong shows the choreographer at his fertile best, creating a self-contained imaginary world, full of beauty and pathos, with implications of a social structure and prescribed code of behavior that elicit immediate, utter belief. |
 | | The two prince-and-princess duets, as I think of them, danced in silence in a great fl void, are marvels of the grace to be found in awkwardness, of the eloquence that can be implied by the unsaid. |
 | | Gong incorporates many motifs of Indonesian dance, which has long fascinated Morris, without succumbing to ethnographical condescension or even the picturesque. |
| nymag.com /nymetro/arts/dance/reviews/4700 (1089 words) |
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