| |
| | The Parallax View |
 | | Gordon Willis (The Landlord, Klute, The Godfather, The Parallax View, The Godfather Part II, All the President's Men, Annie Hall, Interiors, Manhattan, Stardust Memories) is cinema's all time greatest cinematographer, a light painter of unsurpassable talent and worth. |
 | | View still feels so fresh because it doesn't pull punches (unflappable rule: unsentimental always ages better than sentimental), and like Klute, by relying as much, if not more, on the eerie, unshakable Willis visuals than dialogue and characterization. |
 | | Plus The Parallax View features a brainwashing sequence that is among the best five minutes ever put on celluloid, mesmerizing, miraculous work, so powerful I imagine Kubrick wishes he had conceived of it himself to have placed into A Clockwork Orange. |
| www.jaredsapolin.com /theparallaxview.html (298 words) |
|