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| | The New York Times: Best Pictures |
 | | The film, in telling the life story of Henry Aisin-Gioro Pu Yi, the last, quivering twig on the Manchu Dynasty's venerable tree, is distinguished by its gorgeous re-creation of the lacquered, ceremonious interior of the Forbidden City, where Pu Yi was virtually imprisoned for 12 years after the tottering dynasty crumbled into nothingness in 1912. |
 | | Based largely on the approved autobiography of Pu Yi himself, and filmed from a script formally sanctioned by the Chinese Government, ''The Last Emperor'' glides smoothly through one of the most horrific episodes of recent history, the effort to remake wayward individuals by remolding them through education and labor in vast, northern prison camps. |
 | | A few months ago, for example, shortly after ''The Last Emperor'' opened in Paris, the French novelist Lucien Bodard, who was born in China and worked there as a journalist in the 1950's, recalled interviewing the former emperor in prison in Manchuria. |
| www.nytimes.com /packages/html/movies/bestpictures/emperor-ar2.html (1883 words) |
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