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| | Sven Nykvist |
 | | At the opposite extreme is the radiant The Magic Flute (1975; May 26 at 9 p.m. |
| | From the Life of the Marionettes, an inquiry into how the breakdown of a bourgeois marriage leads the husband to murder a prostitute, is a hermetic, emotionally cold film that would be claustrophobic without Nykvist's expansive textures. |
| | But The Touch has a superb performance by Andersson (who will be present at Harvard's rare screening of the film) and a brisk, crisp style new in Bergman's work, aided, of course, by Nykvist's delicate lighting. |
| www.bostonphoenix.com /archive/movies/00/05/18/sven_nykvist.html |
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