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| | Ch. 1, The Marble Faun, by Nathaniel Hawthorne, 1859, 1860 |
 | | Of these four friends of ours, three were artists, or connected with art; and, at this moment, they had been simultaneously struck by a resemblance between one of the antique statues, a well-known masterpiece of Grecian sculpture, and a young Italian, the fourth member of their party. |
 | | The Faun is the marble image of a young man, leaning his right arm on the trunk or stump of a tree; one hand hangs carelessly by his side; in the other he holds the fragment of a pipe, or some such sylvan instrument of music. |
 | | It is possible, too, that the Faun might be educated through the medium of his emotions, so that the coarser animal portion of his nature might eventually be thrown into the background, though never utterly expelled. |
| www.ibiblio.org /eldritch/nh/mf01.html (1694 words) |
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