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| | Mikhail Bulgakov. The Master and Margarita (1997) |
 | | Then there were the qualities of the novel itself-- its formal originality, its devastating satire of Soviet life, and of Soviet literary life in particular, its 'theatrical' rendering of the Great Terror of the thirties, the audacity of its portrayal of Jesus Christ and Pontius Pilate, not to mention Satan. |
 | | The successive stages of his work on the novel, his changing evaluations of the nature of the book and its characters, reflect events in his life and his deepening grasp of what was at stake in the struggle. |
 | | The touchstone character of the novel is Ivan Homeless, who is there at the start, is radically changed by his encounters with Woland and the master, becomes the latter's 'disciple' and continues his work, is present at almost every turn of the novel's action, and appears finally in the epilogue. |
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