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| | The New Yorker: The Critics: The Current Cinema (Site not responding. Last check: 2007-10-17) |
 | | All this changes, of course, and “Million Dollar Baby” takes an inspirational, almost miraculous, turn as Maggie, under Frankie’s tutelage, becomes the most skillful fighter in the sordid but lucrative world of women’s boxing. |
 | | “Hotel Rwanda,” which was written by Keir Pearson and Terry George, who also directed, is the true story of a brave and wily man who never made a speech or indulged an instant of stiff-backed righteousness. |
 | | He convincingly stages the horrors outside the hotel—the paralyzing fear in the night, the vilely inciting radio broadcasts, the anguished ineffectiveness of the United Nations, the chaos and arbitrary madness of slaughter. |
| www.newyorker.com /critics/cinema/?041220crci_cinema (1716 words) |
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