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Topic: The Mysteries of Udolpho

	The Very Best Books : The Mysteries of Udolpho
		Of these Udolpho is by far the most famous, and may be taken as a type of the early Gothic tale at its best.
		It is the chronicle of Emily, a young Frenchwoman transplanted to an ancient and portentous castle in the Apennines through the death of her parents and the marriage of her aunt to the lord of the castle -- the scheming nobleman, Montoni.
		Mysterious sounds, opened doors, frightful legends, and a nameless horror in a niche behind a fl veil all operate in quick succession to unnerve the heroine and her faithful attendant, Annette; but finally, after the death of her aunt, she escapes with the aid of a fellow-prisoner whom she has discovered.
	www.elise.com /store/1592247598/The_Mysteries_of_Udolpho.html (222 words)

	Description and Narration in Ann Radcliffe's Mysteries of Udolpho
		In this passage from The Mysteries of Udolpho.
		Emily gazed with melancholy awe upon the castle, which she understood to be Montoni's; for, though it was now lighted up by the setting sun, the gothic greatness of its features, and its mouldering dark grey stone, rendered it a gloomy and sublime object.
		As a servant brought the lamp nearer, partial gleams fell upon the pillars and the pointed arches, forming a strong contrast with their shadows, that stretched along the pavement and the walls.
	www.victorianweb.org /previctorian/radcliffe/radcliffe3.html (1397 words)

	[No title]
		The Mysteries of Udolpho are indeed relieved by much elegant description and picturesque scenery; but in the descriptions there is too much of sameness: the pine and the larch tree wave, and the full moon pours its lucre through almost every chapter.
		The circumstance to which we objected in the Mysteries of Udolpho, was an exuberance of description.
		Gibbon's history is liable to the same objection,' and though it does not derogate, on the whole, from the charms of that elegant work, yet it is an error in composition, against which writers in general ought to be on their guard, and young writers in particular, who, without the same powers as Mr.
	www.english.upenn.edu /~mgamer/Etexts/coleridge.reviews (7028 words)

	February 7th
		Radcliffe is supposed to have written her Mysteries of Udolpho, or, at least, corrected it, after the journey.
		This silence was unexplained: it was said that, in consequence of brooding over the terrors which she had depicted, her reason had been overturned, and that the author of the Mysteries of Udolpho only existed as the melancholy inmate of a private madhouse; but there was not the slightest foundation for this unpleasing rumor.
		The subject of the figures is involved in mystery; for as much difference of opinion exists respecting it as formerly did regarding the materials of the vase.
	www.thebookofdays.com /months/feb/7.htm (1232 words)

	§17. "The Mysteries of Udolpho" and other works. XIII. The Growth of the Later Novel. Vol. 11. The Period of the ...
		In the three central books The Romance of the Forest (1791), The Mysteries of Udolpho (1794) and The Italian (1797), these motives, methods, or machineries are fully developed; and, among Mrs.
		In fact, one may go so far as to say that, for anyone who has “purged considerate vision” enough to behold Schedoni, unaffected by the long vista of his deplorable successors, there is power in him; while, in all the three books, the various new motives above referred to make a strong combined appeal.
		These are the extraordinary elaboration on means with futility on result already noted, and the “explained supernatural,” which, perhaps, is only a sub-variety of that blend.
	www.bartleby.com /221/1317.html (812 words)

	The Norton Anthology of English Literature: The Romantic Age: Topic 2: Texts and Contexts
		The Mysteries of Udolpho (1794) is Ann Radcliffe at her best.
		Almost fainting with terror, she had yet sufficient command over herself to check the shriek that was escaping from her lips, and, letting the curtain drop from her hand, continued to observe in silence the motions of the mysterious form she saw.
		It seemed to glide along the remote obscurity of the apartment, then paused, and, as it approached the hearth, she perceived, in the stronger light, what appeared to be a human figure.
	www.wwnorton.com /nael/romantic/topic_2/udolpho.htm (1444 words)

	The Mysteries of Udolpho (Oxford World's Classics) : Reviews, Prices, Deals
		I esp. liked the fact that all the mysteries are explained in the end which saves you from having to go through the dissatisfying experience of wanting to know exactly what happened back there when 'x' did 'y' and so on, but never being told.
		The plot of "Mysteries of Udolpho" is quite good, if rather predictable: arranged marriages, imprisonment in a dark and scary castle and all sorts of anxieties about authority figures, political intrigue and sexuality.
		Her writing in "Udolpho" is unbelievably bad - as per usual she LOVES to describe nature in its most 'sublime' and 'awe-inspiring'.
	www.medfools.com /shopuk/product/ASIN/0192825232/The_Mysteries_of_Udolpho_(Oxford_World's_Classics).html (906 words)

	Department of English - Scrapbook
		This brought to her recollection the veiled picture, which had attracted her curiosity on the preceding night, and she resolved to examine it.
		As she passed through the chambers, that led to this, she found herself somewhat agitated; its connection with the late lady of the castle, and the conversation of Annette, together with the circumstance of the veil, throwing a mystery over the subject, that excited a faint degree of terror.
		But a terror of this nature, as it occupies and expands the mind, and elevates it to high expectation, is purely sublime, and leads us, by a kind of fascination, to seek even the object, from which we appear to shrink.
	www.fas.harvard.edu /~english/events/rip_rowland.htm (401 words)

	The Life of Ann Radcliffe
		The public image of the mysterious Mrs Radcliffe as a mad genius, and the sensational nature of her novels are in sharp contrast to the ordinary preoccupations of her middle-class domestic life.
		The Mysteries of Udolpho (1794) is Mrs Radcliffe's most compelling novel, which has prompted a rich range of modern criticism, and I shall review the most fruitful approaches.
		Emily in The Mysteries of Udolpho tears aside the veil and penetrates the recess of the mother figure who is simultaneously the Shadow, the Other.
	www.infopt.demon.co.uk /radcliff.htm (6511 words)

	Amazon.co.uk: The Mysteries of Udolpho (Oxford World's Classics): Books (Site not responding. Last check: 2007-10-08)
		With its dream-like plot and hallucinatory rendering of its characters' psychological states, The Mysteries of Udolpho is a fascinating challenge to contemporary readers.
		Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines.
		Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration.
	www.amazon.co.uk /exec/obidos/ASIN/0192825232 (2205 words)

	The Literary Gothic \| Ann Radcliffe
		Hugely popular Gothic novelist of the 1790s (and beyond), Radcliffe crafted a brand of explained supernaturalism (which owed not a little to the early novels of Charlotte Smith) that struck a chord with British readers during the anxious 1790s.
		Hers is one of the most famous early names of the Gothic tradition; The Mysteries of Udolpho is an essential Gothic text, though many readers prefer The Italian and the oft-overlooked The Romance of the Forest.
		Radcliffe suddenly quit writing despite ongoing fame and significant financial reward; her later reclusiveness, which may well be attributed to a nervous breakdown, and her acute lifelong sense of propriety, decorum, and reserve have left us with no known portraits or likenesses.
	www.litgothic.com /Authors/radcliffe.html (642 words)

	The Mysteries of Udolpho - Ann Radcliffe - Penguin Group (USA)
		With The Mysteries of Udolpho, Ann Radcliffe raised the Gothic romance to a new level and inspired a long line of imitators.
		Portraying her heroine's inner life, creating a thick atmosphere of fear, and providing a gripping plot that continues to thrill readers today, The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni.
		Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her.
	penguinputnam.com /nf/Book/BookDisplay/0,,0_0140437592,00.html?sym=REV (176 words)

	The Mysteries of Udolpho (Oxford World's Classics)
		A best-seller in its day and a potent influence on Sade, Poe, and other purveyors of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction.
		With its dream-like plot and hallucinatory rendering of its characters' psycological states, The Mysteries of Udolpho is a fascinating challenge to contemporary readers.
		The Mysteries of Udolpho is one of the grooviest books I have ever read.
	www.literacyconnections.com /0_0192825232.html (521 words)

	RADCLIFFE-GGIII
		Radcliffe's Montoni (Udolpho) and Schedoni (The Italian) in a survey of villainy in the late eighteenth century novel.
		Udolpho is read in terms of Mark Tushnet's study of antebellum American slave law since "Emily's trials at Udolpho represent the legal position of women by demonstrating the utter inadequacy of sentiment to protect women if the protection of Law is withdrawn."
		To be reminded in 2001 that ”Perhaps more than any other novelist, Radcliffe relies on the elements of mystery and suspense” or that “The massive reliance on suspense is the most obvious formal analogy between the two novels” is not constructive criticism.
	users.stargate.net /~ffrank/RADCLIFFE.html (5452 words)

	RADCLIFFE, Term Papers 2000, Term papers, 051114
		The following paper critically examines Ann Radcliffe's "Mysteries of Udolpho", focusing specifically on her themes of terror vs. horror, the sublime, sensibility, psychoanalysis and feminist issues.
		Examines the satiric discourse in Jane Austen's novel and compares it to "The Mysteries of Udolpho" (Ann Radcliffe).
		Anne Radcliffe's Mysteries of Udolpho is constantly under discussion and satire within Jane Austen's Northanger Abbey.
	www.termpapers2000.com /lib/essay?A=type1&KEYW=radcliffe (2407 words)

	Amazon.com: The Romance of the Forest (Oxford World's Classics): Books: Ann Radcliffe,Chloe Chard (Site not responding. Last check: 2007-10-08)
		More than just a work of suspense and mystery, it is a work of ideas--a discussion of the contrasts between hedonistic doctrines and a system of education and values.
		Today Ann Radcliff is known for two thrilling Gothic novels -- 'Mysteries of Udolpho' (1794) and 'The Italian' (1797) -- but her talent was first recognized by 'The Romance of the Forest' (1791).
		I didn't love this book with the fervent devotion I love her Mysteries of Udolpho or The Italian, you can tell it was one of her first.
	www.amazon.com /exec/obidos/tg/detail/-/0192837133?v=glance (2129 words)

	Abaxial Cameras :: The Mysteries of Udolpho (Oxford World's Classics)
		The events that happen at the castle are very frightening, and the mystery of the fl veil puzzled me throughout the whole book.
		She had an eye for the sweep of detail of a landscape, a forest, a plain, a mountain and she had the talent of painting her scenes under shrouds of mystery and melancholy.
		Emily's love affair with the chevalier Valancourt to whom she gave her entire capacity for love, and his betrayal of it and proof of his unworthiness, comes as a disappointment.
	www.abaxial.com /index.php?Operation=ItemLookup&ItemId=0192825232 (828 words)

	The Mysteries of Udolpho - Ann Radcliffe - Penguin Classics
		If beautiful, orphaned Emily St Aubert is to resist the predatory demands of her new guardian, the inscrutable Signor Montoni, then she must quell the superstitious imaginings that pervade her mind.
		Within the sombre walls of Montoni’s medieval castle the boundaries of real and imagined terrors are blurred as Emily is drawn into a Gothic web of mystery and intrigue which threaten her not only with the loss of inheritance but also identity.
		With its exotic historical setting, subtle psychology, teasing suspense and sublimely drawn landscapes, The Mysteries of Udolpho became an instant best-seller and the prototype of Gothic romance.
	www.penguinclassics.ca /nf/Book/BookDisplay/0,,10_0140437592,00.html (202 words)

	Ann Radcliffe (Site not responding. Last check: 2007-10-08)
		Not much is known about her life, except that she was the wife of an Oxford graduate, and that she wrote her weird and mysterious tales beside a blazing fire in a quiet room to enliven her long, solitary winter evenings.
		Extraordinary fascinating stories flowed from her pen which, with all their faults, unmistakably bear the stamp of genius.
		"A view of the Appenines"-imagining a scene from The Mysteries of Udolpho by John Glover.
	members.aol.com /iamudolpho/radcliffe.html (495 words)

	The Mysteries of Udolpho by Ann Ward Radcliffe, Search Cheap Books, Discount Books, ISBN 0140437592
		Ann Radcliffe's "The Mysteries of Udolpho" is as much a transitionary work between the enlightenment and romanticism, as it is a traditional horror story.
		The mysteries center around the old, decrepit Castle of Udolpho, which the owner saves from ruin in order to fulfill his insane ambition for power.
		Now she must use all that is left in her to survive the outrages forced upon her gentle nature within the gloomy confines of Udolpho.
	www.comparebookprices.ca /book_detail/0140437592 (1674 words)

	Abaxial Cameras :: The Romance of the Forest (Oxford World's Classics)
		Comment: I didn't love this book with the fervent devotion I love her Mysteries of Udolpho or The Italian, you can tell it was one of her first.
		Comment: Today Ann Radcliff is known for two thrilling Gothic novels -- 'Mysteries of Udolpho' (1794) and 'The Italian' (1797) -- but her talent was first recognized by 'The Romance of the Forest' (1791).
		I am only going to point out that this is a strong novel and should be read with "The Italian" and her longer absolute masterpiece, "The Mysteries of Udolpho." If you are a fan of the gothic and wish to find out how the gothic was born and transformed by Mrs.
	www.abaxial.com /index.php?Operation=ItemLookup&ItemId=0192837133 (1030 words)

	UCLA Marathon Reading 1999 \| Fact Sheet (Site not responding. Last check: 2007-10-08)
		The UCLA English Department's Marathon Reading is a one-of-a-kind fundraiser in which some 300 students, faculty, staff, and special guests of the English Department gather together to complete a round-the-clock reading of a single literary work.
		Published in 1794, Anne Radcliffe's The Mysteries of Udolpho was one of the most popular Gothic novels.
		The story, which involves a beautiful orphaned heiress, an evil step-uncle, and a mysterious handsome nobleman, is set in a dark and dreary castle high in the Italian alps.
	www.english.ucla.edu /marathonreading/mr1999/fact99.htm (444 words)

	Terror and Horror (Site not responding. Last check: 2007-10-08)
		She knows, as Burke has asserted, that obscurity is a strong ingredient in the sublime; but she knew the sharp distinction between Terror and Horror, which was unknown to Burke.
		Sometimes the effect is artificial, as in the case of the fl-veiled "picture" at Udolpho, but in raising and sustaining the disquieting possibility of an affair between St. Aubert and the Marchioness de Villeroi, for in stance, she succeeds splendidly.
		No doubt some such dichotomy between titillation and revulsion is necessary to express the shift in tone and subject one encounters as one moves from the school of Radcliffe to the Schauerroman of Lewis or Maturin and its singular preoccupation with the perverse and the occult.
	www.engl.virginia.edu /~enec981/Group/chris.terror.html (2969 words)

	ipedia.com: Gothic novel Article (Site not responding. Last check: 2007-10-08)
		It is the predecessor to modern horror fiction and it above all has led to the common definition of Gothic as being connected to the dark and horrific.
		The Castle of Otranto was originally titled a Romance a literary form which was held by educated taste to be tawdry and not even fit for children due to its superstitious elements, but Walpole revived some of the elements of the medieval romance in a new form.
		The Mysteries of Udolpho (1794) by Ann Radcliffe
	www.ipedia.com /gothic_novel.html (767 words)

	Monica Smith
		Ann Radcliffe's The Mysteries of Udolpho: The Ideological Function of the Novel
		Poovey's essay focuses on exposing what she terms "an ideology in practice," through an examination of Radcliffe's attempts to negotiate the shifting ideological precepts of her time.
		Her argument focuses specifically on Emily St. Aubert's encounters with families or family figures: those of La Vallée and Udolpho as well as the supernatural family that constituted by her imagination.
	virtual.park.uga.edu /~msmith/1030/annobib_samp.htm (402 words)

	MSN Encarta - Sidebar - From The Mysteries of Udolpho
		Set during the late 16th century, English novelist Ann Radcliffe’s Gothic novel The Mysteries of Udolpho (1794) tells the story of Emily St. Aubert, a young Frenchwoman whose father dies and leaves her under the control of her aunt, Madame Montoni, and her aunt’s villainous Italian husband, Signor Montoni.
		When Emily despairs, Signor Montoni imprisons Emily and Madame Montoni in his castle at Udolpho and presses them to transfer their estates to him.
		In this excerpt, Emily adds to her dire situation by imagining supernatural occurrences.
	encarta.msn.com /sidebar_1741576308/From_The_Mysteries_of_Udolpho.html (162 words)

	The Mysteries of Udolpho
		The Mysteries of Udolpho was written in 1794 by Ann Radcliffe and is considered one of the preeminent Gothic romances.
		It is very long—the 1980 Oxford University Press paperback edition of Udolpho is about 672 pages.
		My aim is to place online a version of the 1980 Oxford edition, maintaining the exact printed format to facilitate online reading and reference.
	www.udolpho.com /mysteries?num=0&lev=page (173 words)

	Transcendence signified: The journey to Geist in "The Mysteries of Udolpho" and "Jane Eyre" (Anne Radcliffe, Charlotte ... (Site not responding. Last check: 2007-10-08)
		Transcendence signified: The journey to Geist in "The Mysteries of Udolpho" and "Jane Eyre" (Anne Radcliffe, Charlotte Bronte).
		The following thesis is an examination of the narratives of transcendence in the novels The Mysteries of Udolpho by Anne Radcliffe (1794) and Jane Eyre by Charlotte BrontË (1847).
		Each novel tells the story of a female protagonist, who, when beset by terrible life circumstances, searches for an unseen haven in which to realize and nurture her own personal strength and spirit.
	digitalcommons.hil.unb.ca /dissertations/AAIMQ65485 (233 words)

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