| |
| | The New York Review of Books: Street Arab |
 | | Some of the best of Hassam's copious painted tributes to New York City, such as Winter, Midnight (1894) and Late Afternoon, New York: Winter (1900), take fire, as it were, from a similar snow-shrouded moment, in which we feel Nature infiltrating and overshadowing a city, whose lights nevertheless continue to burn. |
 | | Hassam returned to live not in Boston but in New York, of which he said, "To me New York is the most wonderful and most beautiful city in the world. |
 | | As the century turns, his franchise as—as one critic said in 1892—New York's "street painter par excellence" lapses in favor of brooding apartment-bound women in kimonos and negligées, of halcyon New England scenes, of endless flowers and rocks in New Hampshire's isolated Isles of Shoals. |
| www.mafhoum.com /press7/200C37.htm (2096 words) |
|