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| | Guardian Unlimited Books | Review | Review: The Other Wind by Ursula Le Guin |
 | | But Le Guin has worked out why women can't do proper spells, why her version of death is so nightmarish, and, indeed, why there is magic at all - and what it does to the world, for all the fancy talk of balance that the authorities draw on. |
 | | In The Other Wind the premise is very similar to The Farthest Shore - but this time the dead are appearing in dreams, reaching over the stone wall, even dismantling it, and trying to draw us in. |
 | | But there is more to The Other Wind than that: Le Guin's consistency now becomes revealed as a kind of destiny, a drive towards democracy if you like, an implicit impatience with the highfalutin genealogies such bogus mythologies are compelled to recite. |
| books.guardian.co.uk /review/story/0,12084,763698,00.html (1291 words) |
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