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Topic: The Philosophy of Composition

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	resume
		For example, audience for the composition student is no longer the homogenous citizen of the agora nor the 19th century "general reader," but the member of specific discourse communities.
		One of the biggest misconceptions I believe that students have when they walk into a composition classroom is that essays are supposed to spring fully formed from their pens and that this is a mark of a good writer.
		The contemporary composition classroom seems to be defined by its de-centeredness and it placing of power in the hands of the students, which I fully embrace.
	www.gsu.edu /~engevhx/philosophy.htm (1215 words)

	The Philosophy of Composition - Wikipedia, the free encyclopedia
		Poe recounts the process by which he wrote his most famous poem, "The Raven" to illustrate the theory, which is in deliberate contrast to the "spontaneous creation" explanation put forth, for example, by Coleridge as an explanation for his "Kubla Khan".
		It may be argued that the method that Poe endorses in "Composition" exemplifies the working backwards heuristic.
		Poe's explanation of the process of writing is so rigidly logical, however, that some have suggested the essay was meant as a satire or hoax.
	en.wikipedia.org /wiki/The_Philosophy_of_Composition (284 words)

	University of Oregon Composition Program: Program Philosophy
		The vital issue for us is how to teach writing in such a way that it leads to the development of the students' ability to think for themselves and to face the challenging demands of adjusting their thinking to the pluralism in society.
		Having something to say to someone is a function of one's presence in a "discourse community." The writing class should be such a community, in which students are challenged and confronted by the opinions of others and are able to earn agreement or to adjust their conclusions in relation to available arguments and counter-arguments.
		And, if students do not understand any of these assumptions about their composition class, it is the teacher's task to make them clear, since it will finally be the students' attitudes toward writing, and toward education, that will determine whether they approach the class seriously and learn from it.
	darkwing.uoregon.edu /~uocomp/philosophy.htm (1163 words)

	UM School of Music, Theatre & Dance - Composition - Degree Programs
		The joint program leading to the Ph.D. in composition and music theory has been designed to take advantage of the unusual strengths of the University of Michigan School of Music, Theatre and Dance in both composition and theory.
		Elected during the first term of enrollment as a precandidate, this course is an introduction to library research techniques primarily intended for graduate students intending careers outside musicology.
		During the first year, each doctoral student will be given a list of 60 to 75 works from which to choose or be assigned ten works on which to be examined at the general oral preliminary examination.
	www.music.umich.edu /departments/composition/phd.htm (1320 words)

	11. The Philosophy of Composition by Edgar Allan Poe. Matthews, Brander, ed. 1914. The Oxford Book of American Essays
		The Philosophy of Composition by Edgar Allan Poe.
		It is my design to render it manifest that no one point in its composition is referable either to accident or intuition—that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem.
		For this reason, at least one-half of the Paradise Lost is essentially prose—a succession of poetical excitements interspersed, inevitably, with corresponding depressions—the whole being deprived, through the extremeness of its length, of the vastly important artistic element, totality, or unity, of effect.
	www.bartleby.com /109/11.html (3038 words)

	Warren Wilson College - College Catalog
		There is another equally viable approach, which Descartes called 'First Philosophy.' So understood, philosophy is not so much a subject for study as it is a process of thinking through the most basic of issues very carefully.
		Whatever the method, the point of doing philosophy is the same in the end: to provide a foundation for all the endeavors in our life.
		These include what sort of knowledge is given by the senses, whether one can ever have knowledge of a world beyond direct apprehension, the role of reason in providing knowledge, the very nature of knowledge and of belief, the connection of these to truth, and the nature of truth.
	www.warren-wilson.edu /academics/catalog/catalog.php?name=philosophy_courses&id= (2000 words)

	Poe: Philosophy of Composition
		It is my design to render it manifest that no one point in its composition is referable either to accident or intuition- that the work proceeded step by step, to its completion, with the precision and rigid consequence of a mathematical problem.
		Let us dismiss, as irrelevant to the poem, per se, the circumstance- or say the necessity- which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.
		And here it was that I saw at once the opportunity afforded for the effect on which I had been depending, that is to say, the effect of the variation of application.
	xroads.virginia.edu /~HYPER/poe/composition.html (2631 words)

	Philosophy of Teaching
		Although it should demonstrate the same rigorous thinking, this essay differs from the work you routinely produce in graduate seminars--long essays demonstrating your mastery of a specific body of knowledge which, at their best, will be publishable articles.
		Envision your philosophy of teaching (and I realize that "philosophy" is a grandiose term, but it is the one commonly assigned to this genre) as a work in progress.
		Increasingly a philosophy of teaching is required as part of the applications for Dean's Fellowships (during your fourth year) or for tenure-track jobs, as well as for tenure and promotion reviews.
	www.writingcenter.emory.edu /philteach1.html (627 words)

	OhioLINK ETD: Micer, Dominic
		In order to develop this concern, I argue for a relational ontology that is normative rather than absolute and which speaks to the real conditions of experience and transforming the double binds that capture students, teachers, and institutions in oversimplified modern and postmodern ontologies.
		I argue that composition studies would be best served by making relations, rather than student agency, the subject matter of composition.
		Such a model of critique emphasizes the study of bodies and emotions and recognizes that the point of critique is to transform persons’ feelings about and sensibility of experience.
	www.ohiolink.edu /etd/view.cgi?acc_num=miami1090254160 (256 words)

	The One-Sided Tripod and the New Pedagogy of Writing (Site not responding. Last check: 2007-10-10)
		It held that the purpose of a composition is the communication of an idea to an audience and that language can communicate two kinds of referents: those perceived by the senses and those not perceived by the senses.
		In the classroom the traditional theory of composition ensures that the enterprise of writing is objectively oriented and that the parts of a composition articulate their referent clearly and coherently.
		Had the question engaged the nature of the act of composition, or composing—that is to say, the meaning of the verb to compose —the answer would have been related to the definition of a composition: to compose is to make a composition.
	www.mla.org /ade/bulletin/n086/086024.htm (2907 words)

	The Department of Philosophy @ Davidson
		These topics include the problem of whether a god exists (or whether various gods exist), skepticism and theory of knowledge, the problem of free will and determinism, and contemporary moral problems.
		Introduction to philosophy in the early modern period, i.e.
		Independent research under the direction and supervision of a faculty member who reviews and approves a research topic, and who determines the means of evaluation.
	www.davidson.edu /academic/philosophy/spring.html (352 words)

	Philosophy
		These books are primarily focused on western ancient philosophy.
		This anthology looks at the early sages of Western philosophy and science who paved the way for Plato and Aristotle and their successors.
		Philosophy is a subject that influences many aspects of our lives and our understanding of our experiences, yet it can seem dauntingly inaccessible.
	www.homeschooldiscount.com /hsp/philosophy.htm (162 words)

	The Philosophy Of Composition--Return Of The Gods Web Site
		It is my design to render it manifest that no one point in its composition is referrible either to accident or intuition--that the work preceded, step by step, to its completion with the precision and rigid consequence of a mathematical problem.
		It appears evident, then, that there is a distinct limit, as regards length, to all works of literary art--the limit of a single sitting--and that, although in certain classes of prose composition, such as "Robinson Crusoe," (demanding no unity,) this limit may be advantageously overpassed, it can never properly be overpassed in a poem.
		Perceiving the opportunity thus afforded me--or, more strictly, thus forced upon me in the progress of the construction--I first established in mind the climax, or concluding query--that to which "Nevermore" should be in the last place an answer--that in reply to which this word "Nevermore" should involve the utmost conceivable amount of sorrow and despair.
	pages.progidy.net /krtq73aa/compose.htm (3063 words)

	Michael Kurek, Composer: Musical Philosophy (Site not responding. Last check: 2007-10-10)
		For example, I am aware of the tenure cases of certain of my like-minded younger composer colleagues in which it became difficult to find enough outside evaluators among our other academic composer colleagues who could tolerate a traditional aesthetic and would agree to write a supporting letter.
		That is generally regarded by some of our top composers, critics, and university composition professors as too sentimental and unsophisticated.
		This circle seems to argue through its unwritten laws (for example, through who wins its prizes and grants) that such a leap of faith in music or in God, or any non-relativist philosophy, is a naive, taboo view belonging only to an earlier age.
	www.vanderbilt.edu /~kurek/MKMusicalPhilosophy.htm (1803 words)

	Overview and Philosophy of the Composition Program (Site not responding. Last check: 2007-10-10)
		The writing skills students develop in ENGL 1100 are carried over to ENGL 1120 and serve as a foundation for the more difficult writing assignments students will encounter.
		Students therefore need to develop strong writing and reading skills, including exposure to writing and reading processes, if they are to become thoughtful writers and perceptive readers.
		Responsible composition pedagogy should help students learn these processes.
	www.auburn.edu /english/cs/overview.htm (386 words)

	David Rubenstein: Philosophy of Midi Composition
		Composition is that aspect of music that one can judge even if the music were not performed, but simply written down on music paper.
		To summarize the points about composition: An important goal in composition is to set up certain expectations that the listener can anticipate--and then to violate those expectations.
		A Practical Guide to Musical Composition by Alan Belkin is a complete online book, a veritable treasure-trove of ideas to get one thinking about issues related to composition.
	www.wonderful-music.com /philosophy.html (2084 words)

	VoS - Voice of the Shuttle
		Tom Bridges (Montclair State U.), Philosophy and Civil Society (topically-organized brief essays "devoted to the philosophical examination of the nature of civil society and civic culture in general. . . .
		Philosophy is Everybody's Business: Great Ideas from the Great Books (Center for the Study of the Great Ideas) ("founded by Mortimer J. Adler and Max Weismann, the Center is dedicated to help awaken citizens from their moral and intellectual slumbers and to understand why philosophy is everybody's business")
		The Production of Philosophy: Aesthetics, Practice, Invention (Villanova U., April 19, 1997) ("This conference is devoted to exploring the relationship of the aesthetic to philosophical thinking and to asking about the implications of an aesthetic re-composition of philosophy")
	vos.ucsb.edu /browse.asp?id=2724 (1200 words)

	ENG 460 - Theory & Practice of Composition (Site not responding. Last check: 2007-10-10)
		What makes this course a seminar is its second side: an introduction to Composition Studies, a multidisciplinary field ranging from classical rhetoric to the contemporary disciplines of linguistics, developmental psychology, sociology of knowledge, critical theory, stylistics, and pedagogical theory.
		The founding premise of Composition Studies is that writing instruction benefits from the close study of writing (and, more generally, the uses of language) and the close study of teaching.
		The typical composition syllabus at MU is divided into three five-week units, with each unit culminating in the student's submission of a formal paper for grading.
	www.missouri.edu /~engjnc/460/index.html (1683 words)

	My philosophy on music composition (Site not responding. Last check: 2007-10-10)
		When I write music, I don't think too much about such things as Z-cells, twelve-tone rows, polytonality, and other modern compositional devices.
		They do, on the other hand, know good melodies and harmonic progressions when they hear them, and they can certainly tell if the music fits the words.
		This is my philosophy in a nutshell: If I wouldn't want to listen to it, why force anyone else to?
	www.geocities.com /vienna/strasse/1570/musphil.htm (162 words)

	essays research papers - Edgar Allan Poe?s ?The Philosophy of Composition?
		Shortly after Edgar Allan Poe had completed his masterpiece, “The Raven” and sold it for $15 in 1845, he composed an essay entitled “The Philosophy of Composition”.
		However, it has been suggested that “The Philosophy of Composition” was a hoax, and it is unlikely that it is an account of his poem, “The Raven”.
		Whether this is true or not is irrelevant, because the importance of the essay is the fact that it presents a theory of composition and a new perception of Edgar Allan Poe.
	www.123helpme.com /view.asp?id=63592 (693 words)

	RHETORIC AS PHILOSOPHY \| Grassi
		Rhetoric as Philosophy is a surprisingly refreshing examination of the history and significance of the Italian humanistic tradition.
		For Grassi, rhetorical activity is the essence and inner life of thought when connected to the metaphorical power of the word.
		former student of Martin Heidegger and the author of numerous books in German and Italian, was a professor of philosophy at the University of Munich and director of the Institute of Humanistic and Philosophic Studies.
	www.siu.edu /~siupress/titles/s01_titles/grassi_rhetoric.htm (309 words)

	The Poe Decoder - "The Raven"
		Poe's symbol of "Mournful and Never-ending Remembrance," as treated in the world-famous poem, and Poe's "The Philosophy of Composition."
		In "The Philosophy of Composition," Poe stresses the need to express a single effect when the literary work is to be read in one sitting.
		The most important thing to consider in "Philosophy" is the fact that "The Raven," as well as many of Poe's tales, is written backwards.
	www.poedecoder.com /essays/raven (1483 words)

	ASU Department of English
		Cumulative Grade Point Average: The Division of Graduate Studies requires a grade point average of 3.0 or better in the last two years of work leading to the bachelor's degree and the recommendation of the academic unit in which the applicant plans to study.
		Students may choose to take 600-level courses required by the distribution from one area of study (rhetoric, composition, or linguistics) or a combination of areas in which they would like to concentrate.
		It is assumed that a student will have taken a foundational level course, prior to taking an advanced studies course, especially when the area of study is new for the student.
	www.asu.edu /clas/english/gradstudies/phdrc.htm (1232 words)

	Edgar Allan Poe's "The Raven"
		In literary criticism the poem has become virtually inseparable from Poe's "The Philosophy of Composition," which was published a year after the poem was written.
		The state of the student's mind in "The Raven" is generally agreed upon—he hovers on the edge of sanity, and asks the raven questions for which he knows (yet does not want to know) the answers, but which he cannot stop himself from asking.
		In "The Philosophy of Composition" (above), Poe implies that he chose the raven because it is a bird of ill omen.
	web.uvic.ca /~joanj/raven/poe.htm (951 words)

	Teaching Ancient Greek Philosophy (Site not responding. Last check: 2007-10-10)
		Introduce children to the teaching of Plato, Aristotle and other great teachers from ancient Greek philosophy.
		The trial and death of Socrates (469-399 BC) have almost as central a place in Western consciousness as the trial and death of Jesus.
		Philosophy is a subject that influences many aspects of our lives, yet it can seem dauntingly inaccessible.
	www.learningthings.com /items.asp?Cc=PHILOSOP (277 words)

	teaching composition \| Instructing Writing \| Training on Brief Discourses \| Questia.com Online Library
		...Nine commissioned essays introduce the non-specialist to the rapidly evolving field of composition studies, discussing the nature of the field, the relationship between...
		Composition Studies in the New Millennium: Rereading the Past, Rewriting the Future » Read Now
		Teaching ESL Composition Purpose, Process, and Practice...instructors currently engaged in teaching composition to L2 students; 3.
	www.questia.com /library/education/teaching-composition.jsp (700 words)

	Poetry X » Articles » "The Philosophy Of Composition" by Edgar Allan Poe
		It is my design to render it manifest that no one point in its composition is referrible either to accident or intuition—that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem.
		Here then the poem may be said to have its beginning, at the end where all works of art should begin; for it was here at this point of my preconsiderations that I first put pen to paper in the composition of the stanza:
		This site will work and look better in a browser that supports web standards, but it is accessible to any Internet device.
	articles.poetryx.com /61 (2748 words)

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