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| | #4: The Portrait of a Lady |
 | | The mother and daughter of The Piano, the spiky aunt in her marvelous short film Peel, and the two sisters, surly and surlier, in Sweetie all have a monumentally less attractive personality than the mothers and lovers and sugary sidekicks by whom women are so often represented on screen. |
 | | The first sequence in The Portrait of a Lady is one of two in the picture that most obviously depart from the 19th-century setting of the story, though shots and details throughout characterize the film's sensibility as deliberately modern, and defiantly Campion's. |
 | | See The Portrait of a Lady, though, if you are in the mood for a dense and fantastically complex story, recast in the perspective of a woman who sees as other moviemakers—indeed, other artists, or observers of any sort—rarely do. |
| www.nicksflickpicks.com /portlady.html (2558 words) |
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