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| | The Postman |
 | | Given that Xmas is a season when people get generous, tolerating any number of personal, social and commercial faux pas, it could be that Kevin Costner directing himself as a legendary post-apocalyptic mailman might seem less unforgivable than it would at some other time of year. |
 | | From its premise (The Postman With No Name reluctantly rises to some occasions, à la Seven Samurai, Road Warrior, Clint Eastwood) to its resolution (The Postman is immortalized, astride his galloping pony, as a big bruiser bronzy statue, à la Rocky), the film goes nowhere, slowly. |
 | | The Postman takes up his non-identity by accident: he finds a skeleton with a bag of undelivered letters and a blue uniform while escaping from his primary opponent, the brutal, self-aggrandizing, not so bright and dreadfully named General Bethlehem (the gifted Will Patton devolved to Dennis Hopper Lite). |
| www.citypaper.net /articles/122597/movies.xmas.roundup1.shtml (361 words) |
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