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| | Journal of Seventeenth-Century Music | Vol. 9 No. 1 | Margaret Murata: Singing, Acting, and Dancing in Vocal Chamber ... (Site not responding. Last check: 2007-10-08) |
 | | The two quatrains and the final tercet are marked off by closing eleven-syllable lines, thus subdividing the fourteen lines of the poem into (4+ 4) lines and (3+ 3), as in sonnet settings. |
 | | In a similar, later madrigal by Orazio Michi, however, John Hill surmises that the triple meter of lines 56 of an eight-line poem was suggested by their isometric patterning, with one anapest followed by two trochees. |
 | | After lines 5 and 6 are set in five measures of 3/2, when line 7 returns to C mensuration it does not return to the declamatory style of the opening quatrain (which is delayed until the closing tercet). |
| sscm-jscm.press.uiuc.edu /jscm/v9/no1/Murata.html (6034 words) |
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