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	The Rebel (1961 film) - Wikipedia, the free encyclopedia
		The film The Rebel (1961) is a satirical comedy starring the British comedian Tony Hancock, and written by Ray Galton and Alan Simpson.
		The film explores existentialist themes by mocking Parisian intellectual society in general and portraying the pretensions of the English lower middle class in particular.
		Although the film did moderately well, it was not well received in the USA, who possibly did not understand the highly anglocentric humour.
	en.wikipedia.org /wiki/The_Rebel_(1961_movie) (261 words)

	The Rebel - The Boston Globe
		In ''Rebel," Jim asks his father, ''What can you do when you have to be a man?" Dean's stylish response to his own character's question was the persona that achieved its fullest expression in ''Rebel": a classic mixture of confidence, good hair, and smoldering sensitiveness from which millions of men have taken lessons.
		By the time of the film's release Ray had already emerged as, in Frascella and Weisel's words, ''the 'test case' and the 'cause celebre"' of the so-called auteur theory (briefly, the concept that the director of a commercial film can, in some cases, be considered that film's ''author").
		Instead, it's a film in which the urge to rebel and the longing to conform coexist in a state of peak tension.
	www.boston.com /news/globe/ideas/articles/2005/10/30/the_rebel (1276 words)

	DVD : Tony Hancock: The Rebel / The Punch And Judy Man [1960] : reviews
		The Rebel (1961) and The Punch and Judy Man (1963) are the only two feature films made expressly as star vehicles for the great television comic Tony Hancock.
		The Rebel is by far the more ambitious, being in colour with Parisian locations, a large cast, and not least a supporting role for international star George Sanders.
		Filmed in fl-and-white in Bognor Regis, The Punch and Judy Man is a more modest yet evocative portrait of life in a small coastal resort.
	www.centralreview.com /ItemId/B00008IARR (727 words)

	Cuban Rebel Girls
		The film ends with newsreel-style footage of Castro's victory parade into Havana, and additional footage of the bedlam at the airports and harbors, where Batista's sympathizers fled the country in panic.
		The film might have ended there, but Flynn apparently felt that he had not yet achieved his daily quotient of cheese, so we see Flynn turn his back on the parade, and lumber from the balcony to his bedroom.
		Films rated below five are generally awful even if you like that kind of film - this score is roughly equivalent to one and a half stars from the critics or a D on our scale.
	www.fakes.net /cubanrebelgirls.htm (2753 words)

	The Rebel (1961)
		The Rebel was Tony Hancock’s only truly successful film after years of popularity with his Hancock’s Half Hour TV series.
		His point was that James had been appearing without Hancock for years in films; now Hancock wanted to show that he could make his own mark in the cinema without having to rely on James.
		The film was premiered at the Beirut Film Festival, and given a trade showing in London on January 27th 1961.
	www.britmovie.co.uk /genres/comedy/filmography/013.html (550 words)

	Central Europe Review - Croatian film in the 1990s
		The late 1980s were generally a period of crisis for the old-fashioned European auteur film, as a postmodernist mentality and Hollywood's economic boom shifted filmmakers' interests toward narration, genre films and an ironic twist on popular-culture traditions.
		Perhaps the most important factor behind the golden age of Yugoslav cinema was the fact that Tito was a film fan who regularly attended the national film festival in Pula and who, as legend holds, always kept a couple of reels of American Westerns in the cellar projection room of his villa.
		The film, finished in autumn 1999, was used by the then-ruling Croatian Democratic Community (HDZ) to try to increase anti-Communist hysteria during the election campaign, which brought about the defeat of Tuđman's party.
	www.ce-review.org /00/19/kinoeye19_pavicic.html (2801 words)

	MoMA.org \| Exhibitions Schedule \| Film & Media \| 2005 \| Rebels with a Cause: The Cinema of East Germany (Site not responding. Last check: 2007-11-02)
		Rebels with a Cause presents a selection of significant works crafted by inventive filmmakers who tested the limits of censorship, and whose political engagement and depth add to the creative merit of film history.
		Filmed as the GDR crumbled, this finely drawn portrait of life in East Berlin depicts a young architect whose circumstances and goals are strangled by communist dogma, represented in part by the older generation.
		Considered one of the most modern and experimental films in DEFA’s history, the eccentric Gleiwitz Case is a detailed reconstruction of the 1939 surprise attack by a Nazi unit on the radio station at Gleiwitz, a German town on the Polish border.
	www.moma.org /exhibitions/film_media/2005/East_Germany.html (1109 words)

	The Independents
		The film garnered critical acclaim and the director became a legend in the England and the cult film circuit.
		That film was released on December 25th in the United States to very weak reviews.
		, the film was on the top of the exclusives box office for many weeks and eventually did very well in a less limited release.
	www.godamongdirectors.com (1348 words)

	Vera Chytilova (Site not responding. Last check: 2007-11-02)
		Her early films combined cinéma vérité with daring experimentation to launch spirited, madly stylish attacks on sexism and materialism.
		Her impressive graduation film, Ceiling (1961), provided a harbinger of Chytilová’s defiant themes and daring aesthetic strategies, and drew on her own experiences in modelling.
		Chytilová’s subsequent films retained much of her iconoclastic bent and acerbic bite, even as they as moved, eventually, towards a more realist aesthetic approach.
	www.cinematheque.bc.ca /chytilova.html (1547 words)

	The Kubrick Site: Duncan Cooper on "Spartacus"
		Deservedly respected for his epic westerns and film's noire, Mann supervised, along with Douglas, the four months of pre-production preparations for the film and presumably participated in the complete rewrite of the script which was done in the Fall of 1958.
		Working on the film in secret from his home, locked out of the real decision-making process during the last months of principle shooting, reduced as he described it "to the role of a competent secretary", Trumbo was finally smuggled onto the studio lot to view the film's first rough cut.
		For Trumbo, the rest of the film was to consist of scenes alternating between the love story, the slave community, and the Roman political struggle, with all this punctuated by a series of bitter battle scenes and successive victories for the slaves over larger and larger Roman armies.
	www.visual-memory.co.uk /amk/doc/0102.html (9330 words)

	DVD Verdict Review - Rebel Samurai: Sixties Swordplay Classics: Criterion Collection
		Through this complexity the film earns its place in the Rebel Samurai box, as well as Shinoda's oeuvre: The romance of feudal Japan's honor and duty is exposed as a sham in the director's tale of subterfuge, deceit, and murderous self-interest.
		Comparing the two films, Kurosawa's penchant for lean, concise narrative shines through, as well as his standard operating procedure of rifling source materials for the elements he finds interesting, jettisoning the rest, and embellishing his adapted script with his own material.
		Each of the films is available as part of this set, or individually (spine numbers 310 through 313) as part of Criterion's supplement-light budget line of releases.
	www.dvdverdict.com /reviews/rebelsamurai.php (4098 words)

	THE BEAT MOVEMENT ON FILM A COMPREHENSIVE SCREENING LIST
		Ray Carney is Professor of Film and American Studies at Boston University and teaches courses on the relation of various forms of American artistic expression.
		He curated the film and video component of the Whitney Museum's "Beat Culture" show and is one of the leading authorities on Beat film and the American independent film movement in general.
		The film can be compared to Balch's Towers Open Fire as evidence of the problems that arise in attempting to translate the Beat sensibility into a mainstream form of expression.
	www.lib.berkeley.edu /MRC/CarneyFilms.html (2320 words)

	Rebel, The Review (1961)
		The Rebel is basically a spin-off from Hancock's Half Hour, the radio and television series that shot Hancock to fame.
		In the film, Hancock has the soul of a great artist trapped in the body of a mediocre man. As always, he has ideas that far outweigh his abilities, but once he gets to Paris he finds something that his character never found on TV - acceptance of his grand ideals.
		Of course, it's acceptance by people who are as equally pretentious as he is - the film has a noticeable element of the Great British Public's suspicion of all things artistic.
	www.thespinningimage.co.uk /cultfilms/displaycultfilm.asp?reviewid=146 (319 words)

	Are My Methods Unsound?: Marlon Brando, 1924-2004 \| PopMatters Film Feature
		On screen, he rebelled against "the man"; offscreen, he rebelled against the rebel stereotype imposed on him.
		While Hollywood is full of rebels, Brando was different, bringing authentic-seeming pain and rage to his performances.
		The largely improvised film introduced the actor's "naturalistic" intensity to a new generation of viewers, and ensured that no one who saw it would ever think of butter in quite the same way again.
	www.popmatters.com /film/features/040708-brando.shtml (1098 words)

	nicholas ray's king of kings (1961) - Arts and Faith
		Now, of the film's 170:47 length, fully 13:27 is taken up by credits and overtures and intermission music, so that leaves 157:20.
		The ending scenes Ray filmed saw Jesus farewelling on a mountan ad then on a Lake and the closing scene we have was shot after Ray had left the project.
		The first two Godfather films are also fundamentally stories about fathers and their sons -- and this is one of a number of reasons why Part III, which is pretty much exclusively about Pacino's character, just doesn't belong in the series.
	artsandfaith.com /index.php?showtopic=4661 (1896 words)

	The Rebel (1961) (Site not responding. Last check: 2007-11-02)
		But I believe that The Rebel is quite simply the finest movie ever made, and I've seen a lot of movies.
		The struggle of the individual to express his individuality in a world that prefers conformity has been the subject of countless numbers of films.
		The Rebel is the only film I can think of to mock this tradition while also celebrating it.
	www.imdb.com /title/tt0055361 (592 words)

	Exclamation Mark's Vintage SciFi/Horror Review: Film Reviews 1957 (Site not responding. Last check: 2007-11-02)
		Various viewers have interpreted the film as a statement on man’s place in the universe, a tale of the ultimate male anxiety, or even an example of existential cinema.
		Nancy is supposed to be a rebel, spouting lines like, "I never won any medals for obedience," but much of the time she comes off as a perfectly polite young lady.
		At the outset of the film we are treated to several shots of atomic bomb stock footage.
	exclamationmark.typepad.com /blog/film_reviews_1957 (8024 words)

	Guardian Unlimited \| The Guardian \| Our son, the rebel
		It is, at times, exasperating to be the adoptive parents of a 47-year-old rebel, particularly when your son is Mordechai Vanunu, now in his 16th year of imprisonment for exposing Israel's secret nuclear programme.
		The years have seen a world of changes since Vanunu was convicted of treason and sentenced to 18 years in Israel's highest-security prison.
		Vanunu's parents, who brought their family to Israel from Marrakech in 1961, are orthodox Jews, as are most of his seven brothers and sisters, and the family disowned him for converting to Christianity.
	www.guardian.co.uk /g2/story/0,3604,727367,00.html (1366 words)

	Dan O'Herlihy filmography - Time Out Film
		Michelle Pfeiffer is set to join John Travolta and Queen Latifah in the cast of the forthcoming musical.
		Grab a sneak peak at Christopher Nolan's new film 'The Prestige', which stars Hugh Jackman and Christian Bale.
		Register today for the Time Out Film newsletter, delivered directly to your inbox, once a week.
	www.timeout.com /film/people/294562.html (177 words)

	"The Rebel" (1959) (Site not responding. Last check: 2007-11-02)
		I was an avid fan of "The Rebel" when it first came out and I was in high school.
		I was a shy, skinny kid who tended to get rammed into the hallway lockers by the beefy kids bruising by, so I liked the image portrayed in "The Rebel".
		Each week, Johnny Yuma encountered another version of bullying by the bad guys and apathy by the onlookers which kind of resembled Will Kane's isolation in "High Noon." And each week Johnny Yuma would fight and blast his way to vengeance and justice.
	www.imdb.com /title/tt0052505 (474 words)

	More B-Movie Beefcake at Brian's Drive-In Theater
		His last film appearance was in the 1967 release The Graduate, where he can be seen warding off the cross wielding and swinging Dustin Hoffman at the church wedding.
		His film titles include Count Three and Pray (1955; with Allison Hayes), FBI Code 98 (1963; with Merry Anders and Ray Danton), and The Time Travelers (1964; with Merry Anders).
		Also look for him in the William Castle film Homicidal (1961; with Patricia Breslin and Joan Marshall), which is an interesting version of Alfred Hitchcock's Psycho.
	www.briansdriveintheater.com /beefcake2.html (1478 words)

	Buyout Footage - News From 1961 Archive Film Stock Footage ; Public Domain Stock Footage Library.
		Newsreels 1961 stock footage documents world events, politics and war as well as sports, fashion and entertainment for the year of 1961.
		Newsreels 1961 is an incredibly rich resource of visual history that tells the story of the year 1961.
		New Hollywood film 'Tomboy And The Champ', filmed in Texas, has a gala premiere in Houston, marked by a motorcade from the town of Kathy, where the movie was filmed in large part, and an all-out civic celebration in Houston.
	www.buyoutfootage.com /pages/titles/blacktype/pd_nr_titles/pd_newsreels61_001.html (2516 words)

	EUFS: The Rebel (Site not responding. Last check: 2007-11-02)
		Unfortunately, his sporadic film work was largely unsatisfactory.
		In The Rebel, however, he reveals enough of his immense talent to make the viewing of the film a very enjoyable experience.
		It shouln't come as a surprise to learn that Tony Hmcock dominates this film.
	www.eufs.org.uk /films/the_rebel.html (205 words)

	The Rebel Yell: The Rebel Yell (Site not responding. Last check: 2007-11-02)
		Currently, he teaches English 203, Introduction to the Study of Literature; English 402A; Creative Writing II — Fiction and English 425A, Literature and Film of the Vietnam War.
		He returned to the University of Texas in 1960 and taught as a graduate student until 1961 and then returned from 1964 to 1969.
		All of his post-Ph.D. teaching has been at UNLV or "NSU, as it was when I signed on," he said.
	www.unlvrebelyell.com /print_article.php?ID=320 (521 words)

	Entertainment Insiders
		Mathiason was Jeanette MacDonald’s vocal stand-in on the film "I Married an Angel." She appeared and sang in the films "Meet the People" and "Kathleen" among others.
		Filming was manly conducted on location in Florida and in the hills above Mulholland Drive on land that now houses mansions belonging to Jack Nicholson and the late Marlon Brando.
		His work in his final film was worthy of professional recognition, especially for his design of the catacombs for the film’s finale.
	www.einsiders.com /features/columns/jan06obituaries.php (14298 words)

	The Beat Movement: Beat Screening List
		Although for many years mistakenly believed to be improvised, the film was carefully scripted, laboriously rehearsed, and meticulously edited.
		Though it was treated as a paen to freedom and spontaneitiy, the film is in fact self-indulgent, smug, and sexist in its attitude towards women.
		A teenage girl rebels against her father by becoming a beatnik and a criminal.
	people.bu.edu /rcarney/beatmov/list.shtml (2609 words)

	BBC - collective - king of new youk, the rebel, punch and judy man, comment j'ai tue mone pere dvds
		It’s only a film, and Walken is mesmerising.
		In The Rebel, he gives up his office job to become a painter in Paris, complete with smock and beret, just like a proper artist.
		It’s a poignantly funny film, made in fl and white, and a perfect foil for The Rebel.
	www.bbc.co.uk /dna/collective/A1024499 (367 words)

	CTVA Western - "The Rebel" (Goodson-Todman/ABC)(1959-61) starring Nick Adams (Site not responding. Last check: 2007-11-02)
		1.30 [--] The Rebel: A Grave for Johnny Yuma (1960.05.01)
		1.36 [--] The Rebel: The Earl of Durango (1960.06.12)
		2.25 [61] The Rebel: The Burying of Sammy Hart (1961.03.05)
	aa.1asphost.com /CTVA/US/Western/Rebel.htm (2463 words)

	Serge Nubret at Brian's Drive-In Theater
		Serge plays a captive who wrestles with Gemma and, later, is about to be brutally executed by the evil emperor by being spreadeagled and having a spiked log pulled by horses rolled over him.
		The film starts to be a serious story but in the progress turns into a very nice sword and sandal comedy.
		Goliath and the Rebel Slave (aka The Tyrant of Lydia Vs. the Son of Hercules) (1963), with Gordon Scott and Ombretta Colli
	www.briansdriveintheater.com /sergenubret.html (681 words)

	CULT FILM SITE: Classic Television (A-C)
		Filmed in Australia and originally aired in 1955.
		Original pilot film that introduced Yvonne Craig as the super female crimefighter (complete with her original costume - later redesigned).
		This 1948 industrial film from NBC shows you the behind the scenes action during the production of a radio program.
	sepnet.com /rcramer/tv_a-c.htm (3290 words)

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