| |
| | Dan Simmons, The Rise of Endymion |
 | | With The Rise of Endymion (1997), Dan Simmons has rounded off an enormous epic, a metaphysical space opera whose only contemporary rival in ambition and copiousness is David Zindells Neverness quartet. |
 | | But Simmons extended it further, with Endymion (1996); now, centuries after the action of the opening volumes, with the interstellar Hegemony that was their setting collapsed and gone and the AIs of the Technocore seemingly withdrawn from human affairs, new characters and situations arose, drawn in part from other Keats poems. |
 | | Endymion seemed an exciting futility, involving as it did an interminable pursuit across space, with the morose hero, a young girl messiah, and a blue android again and again escaping capture by the minions of the evil Papacy that now governed the human worlds. |
| geocities.com /parsecsf/skym.htm (377 words) |
|