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| | Genders OnLine Journal - Presenting innovative theories in art, literature, history, music, TV and film. |
 | | [1] On March 10, 1914, the National Gallery in London witnessed the vandalism of Diego Velázquez's painting "The Toilet of Venus," also called the Rokeby Venus. According to the London Times, a "prominent militant woman suffragist," Mary Richardson, entered the gallery during regular visiting hours, broke the glass covering the work with a small |
 | | In Mena's hall of mirrors, fragmented images seem never to coalesce under the pressure of narrative closure. The detective's "solution" thus depends on a certain blindness: not a refusal to see what is before him, but a refusal to acknowledge the inadequacy of his vision and to see how much he cannot see. |
 | | [24] Refusing to reify femininity in a single portrait of "woman," "The Vine-Leaf" becomes the textual equivalent of the Rokeby Venus, whose mirror reveals an eerie disjunction between the female body and its reflection. |
| www.genders.org /g38/g38_rohy.html (1025 words) |
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