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| | Detective Programs |
 | | Especially in its music, Peter Gunn was a more compelling program than Richard Diamond, though its plots were reductive and often as violent as those of The Untouchables (1959-64, ABC), notorious even in its own day for its surfeit of murder. |
 | | The very title sequence of Perry Mason signals something of the way TV drama by the late 1950s had begun to develop an appropriately smallened audio-visual vocabulary: a confident, swooping camera glides through a courtroom to a close-up of the hero, its graceful dipping motion synchronized with the rhythms of Fred Steiner's dramatic theme music. |
 | | Similar audio-visual effects are intermittently present in two notable series created by Blake Edwards, Richard Diamond, Private Detective (1957-60, CBS, NBC) and Peter Gunn (1958-61, NBC, ABC), both of which center on wise-acre heroes whose sexual bravado is more important to their appeal than their brains or their marksmanship. |
| www.museum.tv /archives/etv/D/htmlD/detectivepro/detectivepro.htm (2930 words) |
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