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Topic: The Wonderful Wizard of Oz (1910 film)


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 Film/Classic: The Wizard of Oz
Then, it was made into a silent film in 1910 (as the short film The Wonderful Wizard of Oz with 9 year old Bebe Daniels as Dorothy), again in 1921, and in 1925 (with comedian Oliver Hardy of Laurel and Hardy fame portraying the Tin Woodsman).
Dirks continued, "from L. Frank Baum's venerated children's book The Wonderful Wizard of Oz (written in 1899 and published in 1900) by Noel Langley, Florence Ryerson, and E.A. Woolf, and a team of many uncredited scriptwriters (including Arthur Freed, Herman Mankiewicz, Sid Silvers, and Ogden Nash).
"The Wizard of Oz" is a magical trip into a child's fantasies, full of fun and fright.
www.thecityreview.com /oz.html

  
 Film/Classic: The Wizard of Oz
Then, it was made into a silent film in 1910 (as the short film The Wonderful Wizard of Oz with 9 year old Bebe Daniels as Dorothy), again in 1921, and in 1925 (with comedian Oliver Hardy of Laurel and Hardy fame portraying the Tin Woodsman).
The special effects of "The Wizard of Oz" were not very spectacular, but the acting and the lyrics and the make-up and the richness of its Technicolor combined with the great charm of the story have made it a classic that always delights.
"The Wizard of Oz" is a magical trip into a child's fantasies, full of fun and fright.
www.thecityreview.com /oz.html   (3362 words)

  
 The Wizard Of Oz on DVD - The Official Site
Other: The Wizard of Oz - 1910 short; The Magic Cloak of Oz - 1914 short; His Majesty, The Scarecrow of Oz - 1914 feature; The Wizard of Oz - 1925 feature; The Wizard of Oz - 1933 animated short; and more
TV Special: The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV special
Synopsis: An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.
thewizardofoz.warnerbros.com   (352 words)

  
 Film/Classic: The Wizard of Oz
Then, it was made into a silent film in 1910 (as the short film The Wonderful Wizard of Oz with 9 year old Bebe Daniels as Dorothy), again in 1921, and in 1925 (with comedian Oliver Hardy of Laurel and Hardy fame portraying the Tin Woodsman).
Many of the film's characters played two roles - one in Kansas and their counterparts in the Land of Oz, the locale of the young hero's troubled dreams.
This film in rated 4th in the American Film Institute's top 100 films, 58th in the Internet Movie Data Base's Top 250 films as of December 26, 2003 and 15th in Carter B. Horsley's
www.thecityreview.com /oz.html   (3362 words)

  
 GreenCine product main - More Treasures from American Film Archives 1894-1931 (Disc 1 of 3) (2004)
The Wonderful Wizard of Oz (1910, 13 minutes), earliest surviving film of the Baum novel.
The astonishing vitality and creative range of American motion pictures in their first four decades as seen through films saved by the nation's premier silent-film archives: the Academy of Motion Picture Arts and Sciences, George Eastman House, the Library of Congress, the Museum of Modern Art, and the UCLA Film and Television Archive.
More Treasures from American Film Archives 1894-1931 (Disc 3 of 3)
www.greencine.com /webCatalog?id=105603   (334 words)

  
 Fiction Into Film Database: Dorothy and the Scarecrow in Oz
The Wonderful Wizard of Oz (1900) by L.
Fiction Into Film Database: Dorothy and the Scarecrow in Oz Dorothy and the Scarecrow in Oz Released: 1910
The Marvelous Land of Oz (1904) by L.
fifdb.com /movie/149   (138 words)

  
 Amazon.de: Rezensionen English Books: Oz Before the Rainbow: L. Frank Baum's the Wonderful Wizard of Oz on Stage and Screen to 1939
Swartz makes clear that the popular stage musical influenced silent film depictions of Oz, including a multimedia show (1908), a one-reel short produced by Selig Studios (1910) and a full-length feature film (1925) that portrayed Dorothy as a flirtatious flapper and co-starred Oliver Hardy as the Tin Woodman.
Comprehensive examinations of each production provide behind-the-scenes information, including: battles over the legal rights to Baum's stories and over the financial backing for each play or film; different strategies to market each production; set and costume designs; special effects (how to create a tornado on stage); box-office receipts; and reactions of audiences and newspaper critics.
He documents how the show evolved during its tour of the US, changing songs or adding topical jokes to keep the production fresh.
www.amazon.de /exec/obidos/tg/stores/detail/-/books-intl-de/0801864771/reviews   (138 words)

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