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| | Chapter 11: Buffalo Gals |
 | | Against the word as sword, dividing and (thereby?) killing, Le Guin places the literal image of a dancing woman-the printer's mark ending each section of Buffalo Gals-and the word-image of the word as shuttle, weaving the world. |
 | | As the last work and word in Buffalo Gals, however, "She Unnames Them" is mâshâl in the stronger sense of an (anti)Prophecy: the word doing work in the world, here, undoing the work of words. |
 | | My words now must be as slow, as new, as single, as tentative as the steps I took going down the path away from the house, between the dark-branched, tall dancers motionless against the winter shining. |
| ebbs.english.vt.edu /sfra/Coyote/buffalo.htm (17039 words) |
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