| |
| | Jamison: (Fe)Male Dionysus: the False Dichotomy of Gender in Euripidean Theatre |
 | | Dionysus, god of wine and the grape, civilization and madness, both male and female in form, clearly embodies the very essence of the theatre itself, dualistic in its very nature by way of the costume and mask: an actor is both a person and a character. |
 | | Dionysus is a slippery character throughout the Bacchae, switching back and forth between roles (Stranger vs. God) and genders (through his use of gender-specific vocabulary, especially in the cross-dressing scene). |
 | | Dionysus himself, and his theatrical realm, constitute part of the same whole or two sides of the same coin; by either metaphor, the oneness exists purely through the single identity of the character onstage, who, for the moment embodies someone else, breathes his or her breath, and becomes the 'other.' |
| www.camws.org /meeting/2006/abstracts/jamison.html (454 words) |
|