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| | Cox, "Theatrical Forms, Ideological Conflicts, and the Staging of Obi", Obi, Praxis Series, Romantic Circles |
 | | England was still a slave-owning nation: an Emancipation Act was not passed until 1833 and slaves were not completely liberated in British colonies until 1838. |
 | | Ever since the passage of the Licensing Act of 1737, any play offered on the London stages had to be submitted to the government's Licenser of Plays before it could be performed, and the Licenser at the time, John Larpent, tended to ban all political references from the stage. |
 | | Most importantly, Jack is given a voice in the melodrama, and he uses it to protest his enslavement and to argue that his actions are acts of revenge for the fact that slavers have killed his wife and torn him from his family and his homeland. |
| www.rc.umd.edu /praxis/obi/cox/cox.html (2527 words) |
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