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Topic: Theatrical constraints

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	Theatrical constraints - Wikipedia, the free encyclopedia
		Theatrical constraints are various rules, either of taste or of law, that govern the production, staging, and content of stage plays in the theater.
		Whether imposed externally, by virtue of monopoly franchises or censorship laws, or whether imposed voluntarily by actors, directors, or producers, these restraints have taxed the creative minds of the theatre to tackle the challenges of working with and around them.
		In cinema, the Dogme 95 films form a body of work produced under voluntary constraints that severely limit both the choice of subjects and the choice of techniques used to bring them to the screen.
	en.wikipedia.org /wiki/Theatrical_constraints (560 words)

	Constraints
		In law, time constraints are placed on certain actions and filings in the interest of speedy justice, and additionally to prevent the evasion of the ends of justice by waiting until a matter is moot.
		Constraint programming is a programming paradigm in which a set of constraints that a solution must meet are specified rather than set of steps to obtain such a solution.
		The constraint programming approach is to search for a state of the world in which a large number of constraints are satisfied at the same time.
	www.artistbooking.com /trips/42/constraints.html (946 words)

	Verdict: You Be the Judge - CITY-TV re: Silence of the Lambs \| Handout
		No one ought to confuse the theatrical classification of any film with the entitlement of that film to be aired on television.
		Theatrical films are as long as the producers, distributors and exhibitors wish them to be.
		The shape and content of a theatrical film may vary until the director, producer(s), financiers and distributor have "locked" it, but television networks - if not stations - have always reserved for themselves the right to cut a theatrical film to conform to time and content requirements.
	www.media-awareness.ca /english/resources/educational/handouts/movies/you_be_the_judge_verdict.cfm (1989 words)

	tableofcontents
		This present is the real time and space shared by the audience and the performers; only when the audience consciously perceives the present can they perceive the theatrical experience as relevant to their lives, and not as escapist fiction.
		The Living Theater blazed the trail for alternative theatrical exploration, and their merging of politics and theater set the stage, either by example or for opposition, for avant-garde performance troupes to follow.
		While the Living Theater began their theatrical exploration from the outer realm of politics and the community, Chaikin began his exploration from the inner experience of the actor and his relationship to the community.
	xroads.virginia.edu /~UG01/mincks/brief.html (754 words)

	Between Performative and Performance (Site not responding. Last check: 2007-10-31)
		Theatrical dialogue has strong affinities with the discourses of a society: translating this dialogue, the translator is subject to double constraints, not only those of a given source text but also those of the pragmatics of the target milieu.
		Cultures use theatrical moments and rituals as spaces in which ordinary social relations are suspended so that a culture may see itself, reflect upon its processes, and potentially alter, as well as affirm, its social structures.
		Theatrical conventions of physical movement and the horizon of audience expectation differ radically in different places and at different times.
	www.utpjournals.com /product/md/433/performance1.html (11630 words)

	Essay: Consider the relationship between the use of theatrical space and thematic development in Ibsen's A Doll's ...
		Consider the relationship between the use of theatrical space and thematic development in Ibsen's A Doll's House The prominent theme in A Doll's House is that of male supremacy and the subsequent suppression of women's participation in society, particular to the nineteenth century and early twentieth century.
		In conveying the prevalence of Nora's constraints and the restrictions placed upon her, Ibsen uses subtle visual nuances of space within the setting to compliment and emphasise the idea of imprisonment and limitation.
		One of the most evident of these being the idea of the set on stage acting as a realist representation of a house, symbolic of the doll's house that Nora, the metaphorical doll, inhabits.
	www.coursework.info /I_B_/Drama/Consider_the_relationship_between_the_use_of_theatrical_space_and_L61120.html (304 words)

	Automated Body
		The system must be compatible with the time and budget constraints common to the not-for-profit world of the arts and still offer a flexible cue-based structure familiar to theatre practitioners.
		Leveraging technology from the realm of industrial automation for application to stage effects in live theatrical performance has proven to be a successful strategy in negotiating the demanding time and funding constraints common to artistic endeavor.
		A theatrical motion control system should offer similar capabilities to the lighting consoles that have served live theatrical performance for almost 30 years--at a minimum, the ability to save and replay cues at the touch of a button.
	www.schwentker.com /automation/research/automated_body.htm (1453 words)

	Applied Theatre Researcher No 3 2002 Article 1/3
		These constraints ensure that facile solutions are avoided, and the situation is explored at length in its complexity - which nearly always means that a full resolution is not found within the length of a school class period!
		To our surprise, though, the students strongly insisted that these theatrical constraints had helped them to deepen their understanding of the roots and motivations of the conflict they were portraying.
		Theatrically the evenings were effective and the audiences joined in enthusiastically.
	www.gu.edu.au /text/centre/cpci/atr/journal/article1_number3.htm (7133 words)

	Parnassus Den Productions
		Although Denise has two brothers with her in the novel, it is only Pepe that remains in focus throughout the book, and I chose to involve him considerably in the play.
		In his hands, this classic of 19th century French Literature is transformed into a modern theatrical parable of globalisation and corporatisation and their impact on individuals and society.
		Justin is developing a style for the piece that offers a pastische of 19th century epigrammatic dialogue and romantic melodrama - combined with a 20th century absurdist/expressionistic dramaturgy, and refined with a sensibility that is international in outlook but Australian in its irreverent flavour.
	www.pdproductions.org.au /html/script_notes.html (998 words)

	Stage curtains, rigging, and theatrical supplies - I. Weiss
		According to our website survey conducted over the past year, a catalog is still a well appreciated resource in conjunction with an online version of the same.
		When it comes to theatrical draperies, I. Weiss is recognized industry-wide for outstanding craftsmanship and premium service.
		With over thirty years of experience to draw from, our rigging experts are able to devise creative and practical solutions to fit even the strictest design and budget constraints.
	www.iweiss.com (385 words)

	Reconstruction 6.2 (Spring 2006)
		From an advaitan perspective, however, witnessing consciousness antedates discourse and narrative constructs.[6] Gallimard, as theatrical witness, observes with the audience the dramatization of his thought-stream: his love for Song—however delusional—and his desire for sympathy from the audience as judge and jury.
		Performer and spectator may taste this theatrical void (rasa) for only a fleeting succession of subliminal moments, but to deny the intersubjective space of the witnessing observer as a real presence would be in effect to contradict the demystification of unitary, fixed identities.
		While the dramatic irony allows the audience to see through the sham, and even to sense the (self-reflexive) void in thought of Gallimard’s subtext, Gallimard himself is always at risk as he floats in and out of his various roles, intermittently sharing with the audience a liminal presence/absence of the self as consciousness.
	reconstruction.eserver.org /062/haney.shtml (8036 words)

	Lighting Design Theatrical Lighting Design Stage Lighting Design (Site not responding. Last check: 2007-10-31)
		But if the designer carefully integrates the lighting in a television scene and a corporate exhibit or executes synchronized and scripted changes in live shows, lighting can significantly impact the experience dramatically or sometimes, sub-consciously.
		The Caveat with technical advancement is that the desired "new tech" tools wanted and those that are available may be two different things, owing to budgetary constraints or any number of preclusions.
		Knowledge and Experience has evolved from combination of years in commercial business study and practice, extensive architectural illumination research and, theatrical lighting practice under diverse conditions in worldwide venues with an assorted cast of characters.
	mwld.com /about/mission.html (418 words)

	Pride & Prejudice : Theatrical Release (Site not responding. Last check: 2007-10-31)
		The mini-series does stick to the book more closely than this new movie, but with the time constraints of a two-hour film, the movie-makers had to make some decisions about Austen´s story.
		Some reviewers have complained about the changes in scenery with regard to certain plot points, the casting, the costuming, etc., but, unfortunately, these reviewers have made these complaints without any consideration to the movie-makers´ well-considered reasons for their decisions.
		The only issue I have with this adaptation of such a timeless and beloved story is that it isn´t longer.
	www.pagenation.com /an/B00005JOHI.html (1207 words)

	Ram's Head Theatrical Society
		The Theatrical Resources Manager shall be concerned with the expansion and use of Ram's Head's theatrical resources department.
		The Theatrical Resources Manager must keep up to date on the status of Ram’s Head’s property, and be responsible for any storage or space issues that arise during his/her term.
		While a Producer for Ram’s Head Theatrical Society, the Producer acts as a representative of Ram’s Head, and therefore shall conduct him/herself in the highest level of professionalism, being mindful of the Fundamental Standard.
	www.stanford.edu /group/rams-head/about/guidelines.shtml (3319 words)

	The Literary Explorer - Drama, the Literature of Plays
		A play is a dramatic composition in verse or prose that has been written for theatrical performance and tells a story of conflict and emotion using action and dialogue.
		It is an oral and visual creation whose written form is first a preparation (the script), secondly an aid to performance (the actors' lines), and lastly a printed text for critical and educational scrutiny.
		Like a short story, a play has time constraints that require continuous action moving into new situations and relationships.
	literaryexplorer.blondelibrarian.net /plays.html (996 words)

	Care2connect.com - groups - discussion
		During this period, Bilibin studied and painted landscapes, possibly as an antidote to the constraints of theatrical design.
		Three days after his arrival, he was appointed Professor of Graphic Art at the Leningrad Institute where he taught for the remainder of his life.
		He carried on working for theatrical productions as well as taking on a series of illustrations for a collection of heroic tales "Tale of the City of Kiev and the Russian Bogatyrs".
	www.care2.com /c2c/groups/disc.html?gpp=2376&pst=69404 (509 words)

	Off-World: City-speak (Site not responding. Last check: 2007-10-31)
		The first time I saw BR it was also Theatrical but I didn't pay much attention that time.
		BTW, the voice-overs had to be added to the original release because of a number of careless edits that made the storyline hard to follow.
		So, really, neither the DC nor the original relase are "authentic" -- both are compromised by the time and budgetary constraints Ridley Scott had to deal with.
	scribble.com /cgi-bin/colloquy/colloquy2?which=br&search=theatrical.*?release (6979 words)

	Publisher description for Library of Congress control number 88037423 (Site not responding. Last check: 2007-10-31)
		In the first part, the author deals with theatrical discourse proper and distinguishes between its two main modes: dialogue and stage directions.
		Both modes address the problem of the specificity of theatrical discourse in contrast to other types of discourse, both literary and non-literary.
		The second part, with its focus on space and discourse, examines the context of dramatic discourse and hence the various constraints - spatial, topographical, or political - that shape the meaning of utterances on stage.
	www.loc.gov /catdir/description/cam023/88037423.html (301 words)

	Cinematical
		When people who despise what they call the pretensions of foreign films try to explain their hatred, the loathed films of their collective imagination are inevitably French, and full of brazenly nude, nubile youths.
		A child being sexually molested by a trusted adult is bad enough; when the molester is the Catholic priest from the parish the child has grown up with, the horror is magnified that much more.
		At the center of The Lives of Others is Gerd Wiesler (Ulrich Mühe), a quietly proud Stasi officer who has spent his life and career in unquestioning service of the East German government.
	www.cinematical.com /category/theatrical-reviews (3948 words)

	Daily Nebraskan - Fundraiser to help rebuild Blue Barn Theatre (Site not responding. Last check: 2007-10-31)
		The creation of the Blue Barn Theatre, one of Nebraska's most influential artistic and theatrical houses, is a tale of trials and survival.
		The Blue Barn Theatre in Omaha began in the late 1980s with a vision from three graduates of the Professional Theater Training Company at State University of New York at Purchase.
		Their goal was to create a theater transcending the constraints of New York City's traditional market.
	www.dailynebraskan.com /home/index.cfm?event=displayArticlePrinterFriendly&uStory_id=c203d520-5e2a-478a-8294-cfa531ac2cb3 (392 words)

	Shakespeare in Love . Weekly Alibi . 01-04-99
		Although he remains one of the most famous writers of all time, all we know for sure is that he once paid 50 pounds to join the Chamberlain's Men theatrical troupe and in his will left his second best bed to his wife.
		Although societal constraints prevent her from getting involved with the randy theater man, Viola finds herself enamored with Shakespeare's romantic writings.
		Disguising herself as a boy in order to audition for a role in Shakespeare's (still unwritten) opus, Viola sets the stage for all kinds of theatrical misunderstandings, sexual roundelays and good old-fashioned slapstick antics.
	www.filmvault.com /filmvault/alibi/s/shakespeareinlove1.html (667 words)

	Professional Sound Systems & Stage Lighting Design: Brawner & Associates
		Theatrical stages, worship centers, educational theatres, performing arts centers, themed attractions -- we’ve designed and installed theatre and stage lighting, stage rigging and professional sound systems in all sorts of venues so we know what works.
		Our consultation service team understands budgets, stage design, theatrical space constraints, and the importance of maintaining your architectural vision.
		Your design will benefit from the diverse backgrounds of our architectural and lighting designers, electricians, riggers, and managers of professional working theatres and performance spaces.
	www.brawnerassociates.com /technical_consultation (220 words)

	DVD Verdict Review - Heater
		The audio track in Dolby Digital 2.0 has far too much wind and atmospheric noise in the mix, which distracts from the dialogue.
		The music is moderately well mixed, but nothing to get too excited about—it sounds reasonable for a film of its quality and budget constraints.
		A theatrical trailer is the only extra feature here—no subtitles, audio options, or anything else.
	www.dvdverdict.com /reviews/heater.php (965 words)

	Busby Berkeley St. James Encyclopedia of Pop Culture - Find Articles
		His groundbreaking dance sequences revolutionized the way musicals were filmed by demonstrating how the camera could be used to liberate the directorial imagination from the constraints of theatrical realism.
		The distinctive look of his dancing screen geometries influenced the visual aesthetic of films, animation, television commercials, and music videos throughout the twentieth century.
		Born William Berkeley Enos on November 29, 1895, to a theatrical family in Los Angeles, Berkeley began choreographing while serving in the army.
	www.findarticles.com /p/articles/mi_g1epc/is_bio/ai_2419200167 (873 words)

	Exclaim! Canada's Music Authority
		This is quasi-Brechtian vaudeville, a place where fantasy and reality, narrative and music intersect seamlessly and are given the chance to breathe.
		Credit here must be given to first-time director Rob Marshall, who has found a plausible and highly enjoyable way to integrate musical numbers without pandering to the constraints of theatrical realism.
		It doesn’t hurt that he is a choreographer himself and understands the way to edit a film in synch with the dancing — cuts are made as extensions of the gestures, not pieced together roughshod like a P. Diddy video.
	www.exclaim.ca /index.asp?layid=22&csid1=1833 (343 words)

	Costume Rental
		THEATRICAL COSTUME COMPANY has supplied the nation's educational and amateur theatres since 1989.
		Costumes from THEATRICAL COSTUME COMPANY combine the quality you need with an affordable price.
		We are ready to provide the wardrobe for your production whether you have chosen a musical, a comedy, a period drama, a musical revue, or a one-act play.
	www.theatricalcostumeco.com /costume_rental.htm (203 words)

	The World's Women On-Line! (Site not responding. Last check: 2007-10-31)
		Born in Canada, Sarah Murphy, the daughter of an artistic and theatrical family, was raised in a world intensely focused on color, form and imagination.
		Her unique style, which she refers to as "magical realism," fuses the art elements and imagination in a spirited blend of realism and impressionism.
		Murphy creates her own language, going beyond stylistic constraints to portray her intense spirit and playfulness.
	wwol.is.asu.edu /murphy.html (388 words)

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