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| | Theodor Adorno |
 | | One of the earliest academic writers to consider the importance of popular music, T.W. Adorno refused to draw a distinction between high and popular cultures, describing them as ‘torn halves of an integral freedom, to which however they do not add up’. |
 | | Writing from the nineteen-forties through to the seventies, he was a member of the Frankfurt School of Marxist analysis, and with Gramsci, Althusser, Benjamin, Lukacs, Bloch and others, he is often referred to as a Western Marxist. |
 | | The clarity and cutting edge of Adorno’s criticism is still widely respected today, despite the narrowness of his vision and the fact that some of his ideas are tied closely to the historical situation he was living and writing in. |
| www.aber.ac.uk /media/Students/mml9701.html (884 words) |
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