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| | Bicycle Thieves (Site not responding. Last check: 2007-10-07) |
 | | Bicycle Thieves is the best known and, according to most critics, the finest example of an important and influential movement in post-World War II world cinema: Italian neorealism. |
 | | Using "truth" as a rallying cry for the cinema, Italian neorealists not only used many of the storytelling and film making techniques associated with earlier embodiments of realism, but were intent on showing the poverty, despair, and devastation in Italy wrought by war, fascism, and social injustice. |
 | | Cesare Zavattini, De Sica's frequent collaborator and the author of the screenplay for Bicycle Thieves, identified the following principles as basic to the neorealist movement. |
| www.enl.umassd.edu /InteractiveCourse/EThompson/bicyclethieves.html (472 words) |
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