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Topic: Thomas Baltzar

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	AMARCORDES - Baltzar
		According to the English scientist Samuel Hartlib, Baltzar studied with Johann Schop (i), and he is recorded at the Swedish court in 1653.
		Baltzar was in London in September 1656 to play in Davenant's The Siege of Rhodes, though Anthony Wood wrote that he spent about two years with Sir Anthony Cope at Hanwell House near Banbury.
		Baltzar probably returned to London at the Restoration, and was given a new place in the King's Private Music by a warrant dated 23 December 1661, back-dated to Michaelmas at the high salary of £110 a year.
	www.amarcordes.ch /compositeurs/baltzar.htm (826 words)

	HOASM: Henry Purcell and his Contemporaries
		The English passion for music in the home continued to flourish as it had during the golden age, though the madrigal was gradually being replaced by the less complex form of the catch, represented by Hilton 's Catch that Catch Can (1652, 1658, 1673).
		He wrote a number of pieces for viols and voices that are sometimes mistakenly attributed to his famous father.
		Later, Thomas Britton (1657-174), coal merchant and enthusiastic music lover, organized a series of weekly instrumental concerts from 1678 until his death, in which the most illustrious musicians participated including Handel himself.
	www.hoasm.org /VIIA/VIIAPurcellContemporaries.html (2189 words)

	Please title this page. (Page 4) (Site not responding. Last check: 2007-10-03)
		Sir Thomas was in attendance on Anne Boleyn at her coronation in 1533, her father, Sir Thomas Boleyn, being a Norfolk neighbour, who is mentioned repeatedly in the above accounts as a visitor at Hunstanton.
		In 1536 Sir T. le Strange was appointed to attend on the king's person during the Pilgrimage of Grace, and to bring fifty men with him; in July of that year he was placed on the commission to inquire into the revenues of the wealthy abbey of Walsingham, near his own Norfolk estate.
		It is to his credit that, though a personal friend of the king, and employed on business connected with the dissolution of the monasteries, Sir Thomas does not appear to have used his influence at court to secure for himself any church lands whatever.
	members.aol.com /Elfampage/Page4.html (9039 words)

	Jack Glatzer -- International Violin Concerts
		The core of this repertoire consists of the Bach Solo Sonatas, the 24 Caprices of Paganini and the Bartok Sonata.
		Among these are the Airs for Solo Violin by Thomas Baltzar, probably the first significant work for solo violin.
		Repertoire from Italy by Geminiani, Tartini, Locatelli and from Germany by Baltzar, Biber and Bach.
	www.jackglatzer.com /programs.html (1710 words)

	A Gift of Nature
		Baltzar: A Division on "John come kiss me now" (violin, viol, organ, theorbo, harp)
		Among the composers included, Matteis has developed an increasingly large reputation for his violin writing (in an Italian vein) of late, despite the fact that he was apparently not greatly copied in his own era.
		Baltzar was the acknowledged leader in solo violin writing prior to the arrival of Matteis, and uses a more "english" style.
	www.medieval.org /emfaq/cds/tld90841.htm (350 words)

	SEVERINUS EARLY MUSIC EDITION - Works for three violins and b.c.
		by two of the foremost virtuoso violinists of their day, Thomas Baltzar and Nicola Matteis.
		This music has recently been praised in print by Dr Peter Holman, who has also recorded the Matteis and part of the Baltzar (Hyperion CDA66108, released in 1988) from private transcriptions.
		'Mr Baltzar's Consort' -- really a Suite in C, with a very fine opening Pavan and Galliard -- seems to have begun a trend in England that culminated in Purcell's own wonderful contributions to the genre.
	www.severinus.co.uk /seme04.htm (183 words)

	Bell'Arte Salzbur CD Salzburger Meister
		Also represented are another Brade pupil, Nicolaus Bleyer (1591-1658), who settled in Lübeck, and a native of that city, Thomas Baltzer (c.163063), who ended up in England......
		Early Music Review - 63 - September 2000 / BC This is a wonderful CD - I have sat and listened to it (or rather allowed myself to be transported far beyond the confines of my new living room) several times in the last few weeks.
		If I once likened Elisabeth Wallfisch to Locatelli, I have to say that Annegret Siedel might well be Thomas Baltzar incarnate - his music must simply flow in her veins!
	www.bellartesalzburg.de /becdsalzbm.htm (1756 words)

	Amazon.co.uk: Ariadne Daskalakis - Violino Arioso: Music: Johann Sebastian Bach,Thomas Baltzar,Heinrich Ignaz Franz von ... (Site not responding. Last check: 2007-10-03)
		~ Johann Sebastian Bach (Composer), Thomas Baltzar (Composer), Heinrich Ignaz Franz von Biber (Composer), Arcangelo Corelli (Composer), Nicola Matteis (Composer), et al.
		Turn your 12"s and LPs into art with Art Vinyl Play and Display Mounts.
		Composer: Johann Sebastian Bach, Thomas Baltzar, Heinrich Ignaz Franz von Biber, Arcangelo Corelli, Nicola Matteis
	www.amazon.co.uk /Ariadne-Daskalakis-Johann-Sebastian-Bach/dp/B00004YUCK (216 words)

	Presto Classical - Baltzar - Divisions on 'John Come Kiss Me Now' - Buy music CDs & DVDs online (Site not responding. Last check: 2007-10-03)
		Presto Classical - Baltzar - Divisions on 'John Come Kiss Me Now' - Buy music CDs and DVDs online
		Baltzar: Divisions on 'John Come Kiss Me Now'
		VAT prices will be applied automatically for non-EU delivery addresses.
	www.prestoclassical.co.uk /w/19037/1 (82 words)

	Participating Artists 02-03 - NY Philomusica
		Recently he has played with the Berkshire Bach Society under the direction of Kenneth Cooper.
		He gave the first U.S. performances of the Violin Sonata (1768) by Thomas Linley, and the unaccompanied works for violin (c.1655-60) by Thomas Baltzar.
		He is on the faculty at the Westminster Conservatory in Princeton, New Jersey and at the Lawrenceville School, and is currently on the advisory committee for a Mexican art and music project for the Princeton University Concerts Office.
	www.nyphilomusica.org /concerts/02-03/artists.html (2761 words)

	The Parley of Instruments
		‘Thomas Baltzar (?1631-1663), the "Incomperable Lubicer on the Violin"’;, Chelys, (1984), 3-38
		‘Thomas Arne and Artaxerxes’, The Musical Times, 137 (1996), 19-21
		Music at the Royal Court of London ca 1620: Pieces by Nicholas Lanier, Thomas Holmes, Robert Johnson and Thomas Ford (Celle, Moeck, 1980)
	www.parley.org.uk /ph_folder/biographical/bibliography.html (1393 words)

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