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| | Edgar Allan Poe Biography |
 | | Neither of those views reckons with Poe's preference for the visionary hero, the classical, Hellenic heroine, the conventional villain, the symbolic rescue, the arabesque apartment, the love poem written in London, the painting of the Marchesa Aphrodite, or the final suicide pact. |
 | | Whitman was ended when he ("wisely," Mabbott thought) called on her after drinking. |
 | | Thomas Ollive Mabbott, "Annals of Poe's Life," in Collected Works of Edgar Allan Poe, 3 volumes (Cambridge, Mass.: Belknap Press of Harvard University Press, 1969-1978), I: 527-572. |
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