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	Encyclopedia: Tim Hagans (Site not responding. Last check: 2007-11-06)
		TIM HAGANS: If you leave this up to the individual, first of all, Fred, there aren't that many individuals that are going to support art in this country, even though it can be a tax right off.
		TIM HAGANS: Most people flipped over it because it was what they had been waiting for.
		Tim Hagans (born August 19 August 19 is the 231st day of the year (232nd in leap years) in the Gregorian Calendar.
	www.nationmaster.com /encyclopedia/Tim-Hagans (432 words)

	Tim Hagans - Wikipedia, the free encyclopedia
		Tim Hagans (born August 19, 1954) is a jazz trumpeter and composer.
		Upon matriculation, Hagans enrolled at Bowling Green State University, where he majored in music education.
		When he came back to the United States, Hagans taught music at the University of Cincinnati from 1982-84 and the Berklee College of Music from 1984-87.
	en.wikipedia.org /wiki/Tim_Hagans (231 words)

	Tim Hagans :: TrumpetJazz.com
		Dayton, OH Hagans is one of the most innovative and harmonically inventive trumpeters of our generation.
		He took trumpet lessons while in grade school and majored in music education at Bowling Green State University, attending the Stan Kenton Jazz Camp during the summers.
		Inspired greatly by the later playing of Miles Davis, Hagans also favors Freddie Hubbard, and recorded a truibute to him with Marcus Printup.
	trumpetjazz.netfirms.com /Artists/Tim_Hagans.html (205 words)

	Tim Hagans Clinic
		Much to my delight, I learned early this week that Tim Hagans was going to be in town in conjunction with the HSPVA spring jazz festival.
		Hagans worked with Thad Jones during a two year period while they were both living in Europe.
		Hagans commented that the reason why we should listen to the great jazz players is to help us figure out what we want to sound like.
	www.eddielewis.com /trumpet/hang/hagansclinic.htm (1842 words)

	www.jazzweekly.com \| Interviews (Site not responding. Last check: 2007-11-06)
		I remember the first time I spoke with Tim Hagans, how gentle and elegant he was.
		TIM HAGANS: Wow, you know, Fred, I have never been confronted with the situation so I need a second to think (laughing).
		TIM HAGANS: It was at the Montreal Jazz Festival last summer, 1999.
	www.jazzweekly.com /interviews/hagans.htm (1832 words)

	www.jazzweekly.com \| Reviews (Site not responding. Last check: 2007-11-06)
		Tim Hagans’ Animation Imagination was one of my favorite releases of 1999.
		In it, Hagans and saxophonist / producer Bob Belden seemed to have hit on a way to incorporate turntables, samplers, and other such devices into an actual, honest-to-god jazz context, without watering down or otherwise compromising the music (i.e., by turning it into smooth jazz).
		Hagans and Belden (now co-credited on the CD spine) wisely retained the core band from Animation Imagination and included DJ Kingsize, one of the more interesting of the half-dozen or so turntable / sample guys on that release, for the live show.
	www.jazzweekly.com /reviews/hagden.htm (610 words)

	Blue Note Records
		Hagans grew up in Dayton, OH where he played in school bands.
		Hagans came full circle twenty years later when he joined Herman's band.
		Belden had used Hagans talents on a number of his own projects, and now Hagans returned the favor by asking Belden to play on four tracks on Audible Architecture.
	www.bluenote.com /artistpage.asp?ArtistID=3548&tab=1 (883 words)

	The American Jazz Institute - Events
		Tim Hagans, an excellent hard bop-oriented trumpeter, was with the orchestras of Stan Kenton (1974-76) and Woody Herman (1977) before moving to Sweden (1977-81) where he played with Sahib Shihab, Ernie Wilkin's Almost Big Band, the Danish Radio Orchestra and Dexter Gordon.
		Hagans taught at Berkley (1984-86) and then in 1986 started working with Joe Lovano and Fred Hersch.
		The twenty-piece AJI Big Band featuring Blue Note recording artist Tim Hagans will perform the Gil Evans masterpiece "Sketches of Spain" as well as a number of Gil's other orchestral gems.
	www.amjazzin.com /events/archive/eventsarchive_tim_haggans.htm (564 words)

	Tim Hagans \| Beautiful Lily
		Hagans and Copland have crossed paths before, most notably on Coplandâs Softly (Savoy, 1997)—also featuring Stewart—and on their duet disc Between the Lines (Steeplechase, 2001), which put their clear chemistry front and center.
		Hagansâ âSpace Dozenâ is also based on an elliptical bass line and more obscure harmonies, but Gress and Stewart give it a little more swing.
		Both Haganâs title track and âEmazingâ are closer to the center, and offer gentle Latin references, but in the hands of Copland, Gress, and Stewart the allusion is less obvious and more suggestive, with Hagansâ solos economical and lyrical.
	www.allaboutjazz.com /php/article.php?id=20149 (571 words)

	dtr130 (Site not responding. Last check: 2007-11-06)
		Tim is also one of the world's finest trumpet players, and is one of my closest musical compadres as well as a great friend.
		Tim's not afraid of using colors and lush orchestration in the ensemble passage of "Discovering Norrbotten" and "Passing Giants" (an absolutely beautiful song), and blaring and burning brass in "Future North" (just north of Thad).
		Tim turns over the solo spot to Dan Johansson, who must be in heaven with this background behind him.
	www.doubletimejazz.com /dtr140.htm (1057 words)

	Salon Entertainment \| Sharps & Flats
		Which isn't to say it hasn't been done before: Though a step for Hagans, whose previous albums have all been solid but mainly standard jazz outings, "Animation/Imagination" is indebted to the 1970s electric work of Miles Davis.
		The Miles connection isn't accidental: Belden is actively involved in reissuing Davis' albums of that period for Columbia, and Hagans himself is candid about his reverence for electric Miles in the liner notes.
		Hagans is poking around in new territory while he keeps one foot firmly planted in the ground Miles staked out 20 years ago.
	www.salon.com /ent/music/reviews/1999/03/09review.html (944 words)

	Tim Hagans \| Animation * Imagination
		Hagan's bold step into clubland, like Nils Petter Molvar's Khmer (ECM - 1998), is a substantially more original and noteworthy jazz innovation (forget all the wasted, awful attempts to marry jazz with hip hop).
		The creative effort, only merely enhanced by Hagan's tremendous facility as a trumpeter (especially notable when he's not muted, as on “Trumpet Sandwich”), is invested in the perplexing and often deep-groove soundscapes he and Belden conjure.
		But Hagan's finest moments are also the disc's least representative and most melodic: the lovely, ethereal “French Girl” and the ironic, inspired funk of the spontaneous “What They Don't Tell You About Jazz”; (spotting Kevin Hays's masterful Rhodes machinations).
	www.allaboutjazz.com /reviews/r0499_125.htm (646 words)

	Inside the Animated Imagination of Tim Hagans
		Trumpeter Tim Hagans is a man of many musical colors.
		Next Monday, Hagans will be in town for a concert in Chandler Recital Hall at ODU with pianist John Toomey, bassist Jimmy Masters and drummer Howard Curtis.
		Hagans has compiled an impressive discography of recordings with the adventurous saxophonist Bob Belden and folks like Joe Lovano, Yellowjackets, Marc Copland, Bob Mintzer’s Big Band and Maria Schneider’s Big Band.
	www.jimnewsom.com /PFW-TimHagans.html (733 words)

	English Hagans
		Though Tim Hagans has played with legends like Stan Kenton, Woody Herman, Mel Lewis and Gil Evens he is bringing the big band traditions to new standards as the leader of the world's most notherly based professional big band, The Norrbotten Big Band.
		About five years ago Tim Hagans was contacted by Norrbottensmusiken and it’s producer Mirka Siwert that offered him a job as artistic director of The Norrbotten Big Band, the worlds most northerly situated professional big band.
		Tim Hagans say’s that in the US it’s much of mainstream jazz but in Sweden, and Europe, the attitude are freer and the improvised music has recognition.
	www.naud.se /enghagans.htm (816 words)

	Bio
		Tim currently leads several groups ranging from solo jazz and classical guitar to group configurations including duos, The Tim Cummiskey Trio, and The Tim Cummiskey Quartet.
		Tim currently serves as a member of the Jazz Studies faculty of the Ohio State University School of Music and the music faculty of Kenyon College.
		Tim's collegiate career was highlighted by numerous academic and performance awards as well as appearances as featured performer at numerous jazz festivals.
	www.tc7string.com /bio/bio.html (306 words)

	Double-Time Records (Site not responding. Last check: 2007-11-06)
		I've recorded a lot with Tim and he's played on a bunch of my tunes, but I still have not been able to unlock his method of playing over changes.
		Tim Hagans offers the ingenious "Space Dozen," a ominous blues based on a 12-note tone row that opens with an imaginative polyphonic improvisation by the horns.
		"Tim wanted us to play free, but be thinking of a blues, which we all tried to do," Laverne comments.
	www.doubletimerecords.com /scripts/dtr141.asp (1589 words)

	Maximum Mastery
		Tim, Greg and Scott are joined by an all-star New York rhythm section of Phil Markowitz on piano, Jay Anderson on bass and John Riley on drums.
		Hear how Tim, Greg and Scott approach each etude on the first track and then play along with the rhythm section on the following track.
		An added bonus at the end of the book is the music to Three Wise Men (Tim, Greg and Scott's three trumpet tour de force from the Brass Nation CD) complete with their transcribed solos.
	www.hip-bonemusic.com /maxmast.htm (107 words)

	Erie Voices - Tim Hagans Lawsuit Against The State Of Ohio (Site not responding. Last check: 2007-11-06)
		Unless this Court prevents Defendants and others similarly situated from continuing and repeating this misuse of taxpayer dollars, the electoral processes of this State will continue to be permanently perverted, deterring candidates from challenging incumbents and assuring their electoral defeat if they do run.
		Hagan (“Hagan”) and Gregory D. Coleridge (“Coleridge”) (collectively, “Plaintiffs”) bring this Complaint for declaratory judgment, injunctive relief and other equitable relief against Defendant Ohio School Facilities Commission (“OSFC”); Defendant Lynn Readey (“Readey” or “Executive Director”) in her official capacity as Executive Director of OSFC; Defendants Thomas Johnson (“T. Johnson”), C.
		In 2002, Hagan won as the Democratic nomination for Governor, to face incumbent Defendant Taft.
	www.erievoices.com /blog/static.php?page=static050128-102626 (5981 words)

	Tribute to Carmen McRae (Site not responding. Last check: 2007-11-06)
		One of the more distinctive voices on the trumpet, Tim Hagans is a creative, modern hard-bop improviser who has captured the imagination of many listeners.
		Hagans is not afraid to take chances, having made some unusual and successful choices when it comes to his music.
		Tim took his angular and lyrical trumpet to the edge.
	www.yardbirdsuite.com /Performers/Hagans-Tim.htm (579 words)

	Eye - Jazz: Tim Hagans promises metal, delivers Davis - 04.08.99
		It's a safe bet that trumpeter Tim Hagans' new album, Animation/ Imagination (Blue Note/EMI), is the first to thank all three members of Grand Funk Railroad in the credits.
		Over that pulse-quickening beat, Hagans blows some laconic, Harmon-muted phrases that recall Miles so vividly they verge on parody.
		Of course, Hagans doesn't surrender entirely to the spirit of his elder.
	www.eye.net /eye/issue/issue_04.08.99/music/jazz.html (647 words)

	Lawrence University Performing Arts Series
		Tim Hagans, a lauded trumpeter and composer, has had a memorable career in the jazz world.
		Hagans later taught at Berklee College of Music, and then in 1986, he started working with jazz saxophonist Joe Lovano and pianist Fred Hersch.
		Tim Hagans has made records with Bob Belden, Joe Lovano, Rick Margitza, John Hart, and the Yellowjackets and has worked with the big bands of Bob Mintzer, Maria Schneider, and the Gil Evans orchestra.
	www.lawrence.edu /news/performingartsseries/04_hagans.html (162 words)

	Product Fact - ACT 9235-2 - ACT Music + Vision (Site not responding. Last check: 2007-11-06)
		Today Hagans commutes from the U.S. to Luleå around 10 times a year and spends a week or two each visit working with the NBB.
		While he said all of Davis's periods were influential, Hagans admits a preference for his work with Gil Evans ("especially Porgy and Bess") Miles at the Blackhawk ("terribly underrated") and the trumpeter's music from In A Silent Way until his 1975 retirement.
		The CDs final track, "Boogaloo," celebrates one of Hagans' favorite styles, the infectious funk featured on a slew of Blue Note recordings during the label's heyday in the 1960s, and salutes such classics "Low Down" and "The Sidewinder" as well as "Low Rider" by War and the soulful sounds of The Bar-Kays.
	www.actmusic.com /press/pfe9235.htm (1114 words)

	Tim Ries::Recordings
		Personnel: Tim Ries (soprano and tenor saxophones), Randy Brecker (trumpet), Scott Wendholt (trumpet), Charles Gordon (trombone), Ben Monder (guitar), Franck Amsallem (piano), Scott Colley (bass), Joey Baron (drums), Billy Hart (drums).
		Personnel: Greg Gisbert (trumpet, flugelhorn); Tim Ries (soprano and tenor saxophones, flute); Jon Gordon (soprano and alto saxophones); Conrad Herwig (trombone); Janice Friedman (piano); Jay Anderson (bass); Gregory Hutchinson (drums).
		The MF Band: Maynard Ferguson (trumpet, flugelhorn); Tim Ries (soprano, alto and tenor saxophones, flute); Rick Margitza (soprano and tenor saxophones); Wayne Bergeron, Alan Wise (trumpet, flugelhorn); Alex Iles (trombone); Todd Carlon (keyboards); Micheal Higgins (guitar); Dave Carpenter (bass); Dave Miller (drums); Steve Fisher (percussion).
	www.timries.com /recordings.html (1191 words)

	CD Review of Mark Masters Ensemble - Porgy & Bess Redefined on Capri Records @ jazzreview.com
		While the notes lead one to believe that the stars are reedman Billy Harper and trumpeter Tim Hagans, there are any number of fine players on this project.
		Certainly, the highlighted soloists, Hagans and Harper live up to their billing.
		Tim Hagans and Billy Harper really show their stuff on Summertime, It Ain’t Necessarily So, My Man’s Gone Now and A Woman Is A Sometime Thing.
	www.jazzreview.com /cd/review-16800.html (355 words)

	Re-Animation (Site not responding. Last check: 2007-11-06)
		Trumpeter Tim Hagans' fascination with the Electric Miles Davis Era continues on this 2000 release titled Re-Animation: Live.
		A follow-up to his teaming with saxophonist Bob Belden on the 1998 studio release Animation - Imagination, the music from this offering is culled from a 1999 performance at the Montreal Jazz Festival and features compositions from the previous studio set along with some new material.
		Soprano saxophonist Bob Belden frequently jabs and spars with Hagans who employs muted soloing along with electric wah-wah trumpet and blaring leads amid scratch turntables, EFX, and the musician's fervent soloing.
	www.scottkinsey.com /ReAnimationRev.html (467 words)

	JAM: February/March 2000: Contemporary Jazz
		Kirk Whalum is on one track, and electric bassist Wooten is a great player (and also a member of the Fleck Tones), but this CD doesn't strum my strings.
		Gunn, a trumpeter like Hagans, has worked with Branford Marsalis, James Moody and Jimmy Heath and has recorded five CDs of his own.
		Hagans also has five solo CDs, has appeared on numerous albums as a sideman, and has recorded with Stan Kenton, Steps Ahead and the Yellowjackets.
	www.jazzkc.org /issues/2000-02/contemporary.html (953 words)

	Gordon Brisker (Tenor Sax/Flute/Charts/Composition)
		From the moody opening moments of Mike Nock's intro to the contemporary struck bass solo by Anthony cox, followed by Tim Hagan's blue space adventure and closing with Brisker's soulful journey, the track evolves into a seamless 21st century epic.
		This CD is a fascinating document with a bounty of musical rewards, a milestone in an already illustrious career for Gordon Brisker.
		He Proves it, working with the crack New York-based team of Tim Hagans (trumpet), Marc Copland (piano), Jay Anderson (bass), and Jeff Hirshfield (drums), a superb gang that has collectively appeared with Bill Evans, Toshiko Akiyoshi and Joe Lovano.
	www.gordonbrisker.com /recordings.htm (1071 words)

	Future Miles - Tim Hagns with Norrbotten Big Band - ACT 9235-2 (Site not responding. Last check: 2007-11-06)
		The NBB's international profile should increase considerably with the release on ACT of Future Miles, a project Hagans describes as "an off-shoot of my last two CDs for Blue Note Records (the solo project Animation/Imagination and Re-Animation, a collaboration with Bob Belden that were both nominated for Grammy Awards).
		Those CDs matched drum 'n' bass with free and ambient improvisation and comments were made that if Miles Davis were still alive he'd probably be doing something like this.
		The music on Future Miles was either written by Hagans or co-written with Scott Kinsey, the keyboardist and computer whiz that worked with Tribal Tech and on the trumpeter's Blue Note recordings and wrote the arrangements, did the drum programming and co-produced the CD.
	www.actmusic.com /act9235.htm (385 words)

	Vic Juris MP3 Downloads - Vic Juris Music Downloads - Vic Juris Music Videos (Site not responding. Last check: 2007-11-06)
		Guitarist and leader Vic Juris enlists Dave Liebman on tenor and soprano sax, Tim Hagans on...
		Guitarist and leader Vic Juris enlists Dave Liebman on tenor and soprano sax, Tim Hagans on trumpet, Steve LaSpina on bass, and Jeff Hirshfield on drums.
		Liebman and Hagans are beautifully recorded, and Juris varies the ensemble configurations to feature them, and himself, in ever-changing contexts.
	www.mp3.com /albums/240892/summary.html (237 words)

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