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Topic: Timbral

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	Modulation (music) - Facts, Information, and Encyclopedia Reference article
		Though modulation generally refers to changes of key, any parameter may be modulated, particularly in music of the 20th and 21st century.
		Metric modulation (known also as tempo modulation) is the most common, while timbral modulation (gradual changes in tone color), and spatial modulation (changing the location from which sound occurs) are also used.
		Modulation may also occur from a single tonality to a polytonality, often by beginning with a duplicated tonic chord and modulating the chords in contrary motion until the desired polytonality is reached.
	www.startsurfing.com /encyclopedia/m/o/d/Modulation_(music).html (1174 words)

	Classical Music - A short history
		As a controversial figure, Wagner influenced the musical establishment, such that affinities were aligned with him and the music of the future, or with more conservative trends that reached back to Beethoven.
		Wagner's harmonic and timbral idiom was critical for the late romantic efflorescence at the end of the century that led to the so_called end of tonality as it was generally understood in the nineteenth century.
		With Wagner, the dominance of the Austro-German tradition in nineteenth-century music became apparent.
	w3.rz-berlin.mpg.de /cmp/musical_history.html (1000 words)

	New Gibraltar Encyclopedia of Progressive Rock TO-TW
		Cecil, at least, continued to record and produce after the demise of TEHB, among other things producing Steve Hillage's 1977 album Motivation Radio.
		You will sometimes see Tonto spelled as T.O.N.T.O. which is an acronym for "The Original and New Timbral Orchestra", an alternate name for the band.
		Aside from this, I had discussions with other fans over whether it was Tonto's headband that was expanding, or this was a band celebrating Tonto's expanding head.
	www.gepr.net /to.html (14788 words)

	N. Scott Robinson-World Music and Percussion, Frame Drums, Riq, Tambourines
		Paper read at Society for Ethnomusicology International Conference, "Brazil and Beyond: The Technical and Timbral Expansion of the Berimbau in Popular Musics," Estes Park, CO. 26 October 2002.
		Paper read at Society for Ethnomusicology Niagara Chapter Annual Meeting, "Brazil and Beyond: The Technical and Timbral Expansion of the Berimbau in Popular Musics," Eastman School of Music, Rochester, NY.
		Cooperman frame drum presentation, Percussive Arts Society International Convention, Columbus, OH.
	www.nscottrobinson.com /resume.php (6012 words)

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