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| | WHC Essay: Form, Freedom & Phonics |
 | | By contrast the English language haiku, when written as a tercet, obliges the cutting point to appear at the end of line one or line two, and so limits the possible semantic organisation to 5/12 - 12/5 or, in the case of the 3/5/3 standard proposed by some schools, to 3/8 - 8/3. |
 | | It is only logical, therefore, to define a prosody for the English language haiku wherein the phonic properties of the language are ignored, and whose syllable count is variable - a function of relative extent, of semantic content only. |
 | | The poem often divides as 5/12 or 12/5, but the cutting point is essentially independent of the 5/7/5 sound pattern and the semantic division may well be 9/8, 10/7, or their inverts. |
| www.worldhaikureview.org /1-1/whcessay1.shtml |
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