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Topic: Together (Supremes and Temptations album)

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MaxLyrics.Com: Diana Ross and the Supremes:Join the Temptations Album Lyrics Album: Diana Ross and the Supremes: Join the Temptations MaxLyrics.Com: Diana Ross and the Supremes:Join the Temptations Album Lyrics www.maxlyrics.com /albumView.php/715

The Temptations at Blues With A Feeling Diana Ross and The Supremes / The Temptations The Temptations (African-American Achievers) - Ted Cox [September 1997] - * released as a 2-0n-1 CD set Meet The Temptations / The Temptations Sing Smokey (Remastered) [19??] hotburrito.20m.com /soul/temptations.html   (794 words)

Diana Ross Supremes Songs of The Stonewall Diana Ross and The Supremes and The Temptations' second album in 1969 is named "Together", delivering two more single-release songs. Their first album issued on Motown Records in the autumn of 1968 was simply entitled "Diana Ross and The Supremes Join The Temptations", generating an immensely loved #1 song, "I'm Gonna Make You Love Me", and two other singles. The Supremes cable-carring in Frisco: Florence Ballard, Mary Wilson and Diana Ross. www.stonewallvets.org /songsofStonewall-6.htm   (3022 words)

eBay - diana ross and ..., Records, Music Memorabilia items on eBay.com DIANA ROSS AND THE SUPREMES and THE TEMPTATIONS  DIANA ROSS AND THE SUPREMES and THE TEMPTATIONS /1027013H  DIANA ROSS AND THE SUPREMES Vinyl Album Record  search-desc.ebay.com /search/search.dll?query=diana+ross+and+...&krd=1   (526 words)

The Classic Temptations Memorial Website Their second album, The Temptations Sing Smokey, was released in March of 1965, and their third album The Temptin' Temptations, in November of the same year. The Primes, a trio of childhood friends from Birmingham, Alabama consisting of Paul Williams, Eddie Kendricks, and Kell Osborne; and their sister group, The Primettes who would eventually evolve into The Supremes. Meet The Temptations, their debut album, came out in March but barely snuck into the Top 100 albums on the charts. www.angelfire.com /stars/classictemptations   (1939 words)

DIANA ROSS & THE SUPREMES DIANA ROSS and THE SUPREMES/THE TEMPTATIONS: JOINED TOGETHER - The 2-CD complete collection of studio duets by these two Motown supergroups includes several previously unreleased cuts. DIANA ROSS and THE SUPREMES: A BIT OF LIVERPOOL/T.C.B. UK reissue of two original Motown albums from 1964 and 1968 on one CD - 28 tracks Bonus tracks include two more songs from the original LP sessions, three songs from another legendary ‘unreleased’ album, A Tribute to The Girls; an outtake from I Hear A Symphony and seven tracks produced by Holland-Dozier-Holland from another unfinished unreleased album, The Supremes And The Motown Sound: From Broadway To Hollywood. www.soulmusic.com /dianarossandsupremes.htm   (858 words)

The Supremes Both the Supremes and the Temptations were huge hits on the nightclub circuit at this point, and they pooled their talents on several network television specials. Any 60s Supremes fan who ignores the release date and photo on the cover is going to enjoy the music. Meanwhile, Chuckii Booker wrote and produced perhaps the best track on the album, the sinuous 80s soul "Sugar Free." Hex Hector adds two remixes of "Until We Meet Again," both in the Hi-NRG style I thought was finished by the mid-90s. www.warr.org /supremes.html   (7695 words)

The Temptations personal appearances, the temptations Still, the Temptations had trouble establishing themselves in the beginning, and by the end of 1963- much like the early story of the Supremes- they had only a string of non-charting singles to their credit. With songs and production from some of Motown's brightest lights - most notably Smokey Robinson ("My Girl") and Norman Whitfield ("Ain't Too Proud to Beg") - the Temptations lived up to their billing as emperors of soul. In 1982, Ruffin and Kendrick rejoined the Temptations for the Reunion album and a wildly successful reunion tour. www.barberusa.com /adult/temptations.html   (780 words)

The Supremes Both the Supremes and the Temptations were huge hits on the nightclub circuit at this point, and they pooled their talents on several network television specials. Any 60s Supremes fan who ignores the release date and photo on the cover is going to enjoy the music. Meanwhile, Chuckii Booker wrote and produced perhaps the best track on the album, the sinuous 80s soul "Sugar Free." Hex Hector adds two remixes of "Until We Meet Again," both in the Hi-NRG style I thought was finished by the mid-90s. www.warr.org /supremes.html   (780 words)

The Supremes In the year since the first album cut with the Temptations, everything had changed: Norman Whitfield had taken the band psychedelic, Vegas showtunes were out, and Sly Stone -style rock/funk was in (there's a cover of Sly's "Sing A Simple Song" here). This album was a monster hit, produced by Chic members Bernard Edwards and Nile Rodgers, who were on an incredible hot streak at the time. The album generated two hit singles: the wonderfully syncopated "I'm Coming Out" may be the best piece of music to ever come out of the Chic camp, and "Upside Down" is also a fine effort, with a sinous guitar line and loads of hooks. www.warr.org /supremes.html   (780 words)

The Temptations The Temptations & Supremes charted another studio album, Together. Ruffin and Kendricks came back for this one, which featured the hit "Standing On The Top" written by Rick James (the Temptations had sung on James' signature song "Superfreak" the year before). There's virtually nothing on the web about the Temptations, other than useless stuff like amateurish notices of their latest live appearances, and an uninformative obituary of Melvin Franklin, who died in March, 1995. www.warr.org /tempts.html   (5519 words)

The Supremes The first of several collaborative recordings between The Supremes and The Temptations. Another album with this title was issued in the UK in 1964, and featured tracks from both Meet The Supremes and Where Did Our Love Go. Released in the UK under the title The Supremes Sing Motown. www.nndb.com /music/550/000038436   (938 words)

DIANA ROSS & THE SUPREMES Discography DIANA ROSS& THE SUPREMES Diana Ross& The Supremes Join The Temptations (US Motown 11-track LP, pasted picture sleeve which has a slight sellotape mark, but the vinyl is in superb condition with few signs of having been played) - DIANA ROSS& THE SUPREMES Farewell (1970 Japanese 16-track Victor pressed double LP recorded live at their last performance at The Frontier Hotel, Las Vegas on 14/01/70, complete with 16-page full colour photo booklet & integral 8-page lyric inse rt, laminated gatefold picture sleeve with original green & white 'Victor World Group' obi-strip! DIANA ROSS& THE SUPREMES Farewell (1970 UK 23-track double LP recorded live at the Frontier Hotel, Las Vegas, January 14th 1970, laminated gatefold picture sleeve. www.eil.com /shop/ExtSearch.asp?DiscArtist=diana-ross-_-the-supremes   (938 words)

The Temptations The album's hits weren't their biggest, but are among their most memorable: Smokey's propulsive "Get Ready," and "Ain't Too Proud To Beg" by Norman Whitfield and Eddie Holland, a heavy R&B tune (later covered by the Rolling Stones) with a wonderful, pleading Ruffin vocal. Supremes' album recorded in the same venue, mostly because the arrangements hew close to the studio versions instead of spinning off into lounge cornball. Their first album to break into the pop Top 40, it also hit #1 on the R & B chart, as did almost all the rest of their studio albums through 1973(!). www.warr.org /tempts.html   (5519 words)

Who Is Paul Williams? He has at least one lead on all of the Temptations albums, including live albums and the duets with the Supremes, during his active tenure with the Temptations, and even sang on some albums post-1971. Paul Williams is a founding member; the original lead singer; and the soul gripping baritone of Motown’s world renowned Temptations. Paul’s voice is all over the Meet The Temptations album, originally released in 1964. www.geocities.com /loveforpaulie/paul.htm   (1246 words)

The Supremes In the year since the first album cut with the Temptations, everything had changed: Norman Whitfield had taken the band psychedelic, Vegas showtunes were out, and Sly Stone -style rock/funk was in (there's a cover of Sly's "Sing A Simple Song" here). This album was a monster hit, produced by Chic members Bernard Edwards and Nile Rodgers, who were on an incredible hot streak at the time. The album generated two hit singles: the wonderfully syncopated "I'm Coming Out" may be the best piece of music to ever come out of the Chic camp, and "Upside Down" is also a fine effort, with a sinous guitar line and loads of hooks. www.warr.org /supremes.html   (1246 words)

Wikipedia:Featured articles - Wikipedia, the free encyclopedia Roy Orbison · Punk rock · "Real Love" (song) · Saxophone · " She Loves You " · Sex Pistols · Simon and Garfunkel · Dmitri Shostakovich · Sly and the Family Stone · Smile (album) · "Something" (song) · Igor Stravinsky · The Supremes · The Temptations · Gene · Helicobacter pylori · Homo floresiensis · Humpback Whale · Island Fox · Kakapo · Krill · Lesch-Nyhan syndrome · Marginated Tortoise · Menstrual cycle · Mixed-breed dog · Exploding whale · Flag of India · Flag of South Africa · Freemasonry · Gender role · Greco-Buddhism · David Helvarg · Japanese toilet · Kitsch · Kibbutz · Korean name · Mail · Octopus card · Pet skunk · Spring Heeled Jack · en.wikipedia.org /wiki/Wikipedia:Featured_articles   (1246 words)

The Temptations personal appearances, the temptations Still, the Temptations had trouble establishing themselves in the beginning, and by the end of 1963 - much like the early story of the Supremes - they had only a string of non-charting singles to their credit. In 1982, Ruffin and Kendrick rejoined the Temptations for the Reunion album and a wildly successful reunion tour. The Temptations were initially formed from two Detroit-based vocal harmony groups: the Primes (a trio of relocated Alabamans that included Eddie Kendricks and Paul Williams) and the Distants (a quintet whose members included Otis Williams, Melvin Franklin and Elbridge Bryant). www.barberusa.com /adult/temptations.html   (780 words)

R&B2 J-R MOTOWN 679 WHITE LABEL PROMO VG+/VG DIANA ROSS-SUPREMES and THE TEMPTATIONS/ GREATEST HITS MOTOWN CC and MARVIN WLP VG+ PRESENTS GREAT.DANCE HITS VG+/VG (M) RandB Part 2: (A - I) Go to Part 1 www.hotplatters.com /lp/RB/RB2J-R.html   (270 words)

Greg's Grooves: Diana Ross & The Supremes vinyl records Diana Ross and The Supremes and The Temptations Supremes on one side of the album, Neil Diamond on the other Greg's Grooves: Diana Ross and The Supremes vinyl records www.gregsgrooves.com /supremes.html   (347 words)

The Primettes: Reviews, Discography, Audio Clips, and more Music.com The Primes [+] and the Primettes [+] recorded one tune together in the early days called "Not Now I'll Tell You Later," written by Smokey Robinson [+] and Otis Williams [+]; a version, not the original, appeared on the Temptations [+]' Gettin' Ready album. The Primettes [+] changed their name to the Supremes [+], endured a series of flops, and became one of the most successful female vocal groups ever. Martin stayed until 1963; she sang with them on their early Motown sides as the Supremes [+], but is not pictured or credited on the group's first Motown album. www.music.com /group/the_primettes/1   (1259 words)

Florence Ballard - Wikipedia, the free encyclopedia Ballard was threatened to be fired, and was officially fired from The Supremes and from Motown after a second chance of official meeting, with Ballard present; Cindy Birdsong took her place in the group, which was renamed Diana Ross and The Supremes shortly before Ballard's departure. Ballard, nicknamed "Blondie" because of her auburn hair and light complexion, founded The Primettes, an all-girl singing group spin-off of The Primes (later known as The Temptations), in 1959. Billed as Florence "Flo" Ballard and with her husband serving as her manager, Ballard released the singles "It Doesn't Matter How I Say It" and "Love Ain't Love" on ABC Records, but the album she recorded was shelved. en.wikipedia.org /wiki/Florence_Ballard   (1645 words)

The Supremes - Wikipedia, the free encyclopedia Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In fact, her voice continued to appear on Supremes album tracks for the rest of the decade, as many of the album cuts were sourced from archived recordings. Attempting a solo career with ABC Records, Ballard's two 1968 singles failed to chart and her solo album was shelved. en.wikipedia.org /wiki/The_Supremes   (4107 words)

The Four Tops The Four Tops soon became one of Motown's first-string acts, the male version of the Supremes- like the Supremes, nearly all the Four Tops singles were written and produced by Brian Holland, Lamont Dozier and Eddie Holland. While the Temptations' main attraction was their smooth tenor singers, the Tops' lead singer is rough-voiced bass Levi Stubbs, who recorded many of the label's most impassioned vocals ("Standing In The Shadows Of Love," "Reach Out I'll Be There"). The Tops give their all to this collection of bathetic show tunes ("The Sound Of Music," "Make Someone Happy," "Hello Broadway"), which only makes it worse: if Levi had sleepwalked through his vocals, it would have been a better fit for the hackneyed material and overbaked arrangements. www.warr.org /fourtops.html   (2234 words)

Music : Cooley High (1975 Film) And among unsurprising choices by the Supremes, Temptations, and Four Tops, are two songs that connect most clearly to the film's themes of youthful abandon and innocence: the full giddy six-and-a-half minutes of Stevie Wonder's 'Fingertips' and the fragile vow of the Miracles' '(You Can) Depend on Me.' --Rickey Wright The 1975 nostalgia picture Cooley High has aged well enough--inspiring the concept of Boyz II Men's debut album (which included a hit cover of the theme song, 'It's So Hard to Say Goodbye to Yesterday') and recently growing in stature as a classic of the era's black cinema--to prompt this rerelease of its soundtrack album. Former Spinner G.C. Cameron's version of 'Goodbye,' guitarist Luther Allison's 'Luther's Blues,' and a handful of snippets from Freddie Perren's score are included, but the real meat of the disc lies in its selection of mid-'60s Motown classics. www.prep4usmle.com /B00004TRS2/Cooley_High_1975_Film.htm   (402 words)

Oldies.com : Jaco Pastorius After backing the Temptations and the Supremes, he developed a cult following, and his reputation spread. In 1975, Bobby Colomby, drummer with Blood, Sweat And Tears, was impressed enough to arrange the recording of Pastorius' first album, and a year later Pat Metheny asked him to play bass on his own first album for ECM Records, additionally he worked with Joni Mitchell. www.oldies.com /artist/view.cfm/id_7485.html   (200 words)

What Becomes Of The Brokenhearted by Jimmy Ruffin Songfacts Motown like his version better and released it while Motown took The Supremes version and released in 1969 as an album filler for their album "Let The Sunshine In" Ruffin is the brother of The Temptations' David Ruffin. Motown was going to release it as a single for them, but Jimmy Ruffin liked the song so much and begged Motown that he record it. www.songfacts.com /detail.lasso?id=64   (377 words)

Classic Soul - Temptin Temptations, David Ruffin and Eddie Kendricks, Geena Ruffin, Temps, Otis Williams, Dennis Edwards, Paul Williams, Ron Tyson, Ollie Ali Woodson, Reflections, Awesome, 20th Century Masters, Phoenix Rising The point of the album's title, says Williams, is mostly to show that ``the Temps,'' even without original members Melvin Franklin, Paul Williams, Eddie Kendricks, and David Ruffin, will continue to put out quality music. The Temptations also tackle two songs that were hits for Gaye and Tammi Terrell: "Ain't Nothing Like The Real Thing" (Top 10 Pop/#1 R&B in 1968), with guest vocals by Vann Johnson, and "Ain't No Mountain High Enough" (Top 20 Pop in 1967 and #1 Pop for Diana Ross in 1970). One song they did previously record but as a duet with The Supremes in 1968 is "Try It Baby," which had been a Pop Top 20 for Gaye in 1964. www.soul-patrol.com /soul/temps.htm   (3743 words)

Amazon.co.uk: The Millennium Collection: the Best of the Funk Brothers [Import]: Music The Funk Brothers were the Motown house band, and their punchy, organ-fueled grooves set the blueprint for American soul, framing the singing of the Temptations, Marvin Gaye, the Supremes, and many others. However, the album proved to be the first time that the Funk Brothers were acknowledged for their own instrumental tracks alone, outside of the fascinating 2002 documentary STANDING IN THE SHADOWS OF MOTOWN. In their 12-year tenure with Motown (1960-1972), the Funk Brothers underwent few personnel changes, and these same core musicians combined jazz, pop, and R&B grooves to perfection on innumerable classics. www.amazon.co.uk /exec/obidos/ASIN/B0001AP0IQ   (541 words)

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