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Topic: Tomas Luis de Victoria

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	Tomás Luis de Victoria
		Victoria's music reached great fame in its time, especially his masses, and, though unusual, all his works were published in the composer's lifetime.
		Des del punt de vista musical les seues 20 mises i 44 motets són, d'una banda, conservadores en l'hàbil utilització del contrapunt i en la seua textura polifònica coherent, i, d'altra, resulten innovadors por la fonda expressió emotiva del text amb una intensitat mística molt espanyola.
		La música de Victoria alcanzó gran fama en su época, en especial sus misas y, cosa inusual, toda su obra fue publicada en vida del autor.
	www.carolinaclassical.com /paco/victoria.html (624 words)

	Biography
		We have a chronology of Tomás Luis de Victoria in his historical, cultural and musical context.
		He was born in Avila around 1548, as the seventh child of Francisca Suarez de la Concha and Francisco Luis de Victoria.
		Victoria was promoted to chapel master of this center, and thereby acquired new obligations: he was in charge of the musical education of the choirboys, he taught the most capable students in counterpoint and the elements of composition, and in general he supervised all music in all churches linked to the Collegium Germanicum.
	www.upv.es /coro/victoria/english-biografia.html (945 words)

	DoveSong.com -- The Music of Tomas Luis de Victoria
		Composed at the end of the 16th Century, and the beginning of the 17th Century, the music of Victoria was written for the church, to be sung as a part of the Catholic liturgy and all of the texts are in the Latin language, the official texts of the church...mostly scripture from the Vulgate Bible.
		Victoria composed twenty masses, 44 motets, 36 hymns, 16 alternating plainsong magnificats (plus a magnificent work for two choirs and another for three), ten sublime Marian antiphons, 7 psalm settings for double choirs, 4 sequences, some pieces written to be included in the liturgy, and a body of music composed for Holy Week services.
		But Victoria's music would be forgotten today, were it not for a few learned individuals who know the importance of these works and keep the flame alive, and a few brave CD labels, choirs and singing ensembles who have committed some of the works to disc and perform the music in public.
	www.dovesong.com /positive_music/archives/renaissance/Victoria.asp (750 words)

	HOASM: Tomás Luis de Victoria
		After serving as a choirboy at Avila Cathedral under the maestros de capilla Gerónimo de Espinar and Bernardino de Ribera, Victoria went to Rome around 1565 and entered the Jesuit Collegium germanicum; he met Palestrina, who was maestro di cappella at the nearby Seminario romano, and may well have studied with him.
		That Victoria succeeded in publishing nearly his entire oeuvre during his lifetime, generally in sumptuous editions, makes clear that he had the support of wealthy patrons.
		A Partial Tomas Luis de Victoria Discography
	www.hoasm.org /IVL/Victoria.html (295 words)

	Catholic-Pages.com \| Discussion Forum - "The Sacred Music of Tomas Luis de Victoria" (Site not responding. Last check: 2007-09-15)
		Tomas Luis De Victoria is one of my favorite composers.
		He was responsible for composing some twenty masses, 44 motets, 36 hymns, 16 alternating plainsong magnificats (plus a magnificent work for two choirs, ten sublime Marian antiphons, 7 psalm settings for double choirs, 4 sequences, some pieces written to be included in the liturgy, and a body of music composed for Holy Week services).
		Victoria was the greatest spanish polyphonist of all times, and probably one of the best of his time in Europe.
	www.catholic-pages.com /forum/topic.asp?topic_id=9681 (215 words)

	ARSIS: Catalog: CD 149 (Site not responding. Last check: 2007-09-15)
		Victoria's is one of the most beloved of these settings, and the Choir of The Church of the Advent has sung his version of the Reproaches for decades.
		Victoria's setting is best understood with reference to this history, for although he strays entirely from the musical material of the Reproaches chants, he adheres unwaveringly to the form of the chant texts.
		Victoria's setting of the Trisagion involves two separate choirs: the first chorus sings the Greek text, while a second chorus echoes the first with a Latin translation of the Greek.
	www.arsisaudio.com /cd149.html (2434 words)

	Victoria, TomÃ¡s Luis de - HighBeam Encyclopedia (Site not responding. Last check: 2007-09-15)
		VICTORIA, TOMÁS LUIS DE [Victoria, Tomás Luis de], c.1548-1611, Spanish composer.
		He went to Rome in 1565 to study for the priesthood at the German Jesuit College.
		In 1578, Victoria gave up the position he had held since 1573 as music master at the Collegium Germanicum to become a resident priest at the Church of San Girolamo.
	www.encyclopedia.com /doc/1E1-victoriat.html (174 words)

	Tomás Luis de Victoria - Wikipedia, the free encyclopedia
		Tomás Luis de Victoria (1548 – August 20, 1611) was a Spanish composer of the late Renaissance.
		Victoria remained at the convent until the end of his life, performing several roles—priest, composer, director of the choir, and organist.
		Victoria is the most significant composer of the Counter-Reformation in Spain, and one of the most well-regarded composers of sacred music in the late Renaissance, a genre he devoted himself to exclusively.
	en.wikipedia.org /wiki/Tom%C3%A1s_Luis_de_Victoria (546 words)

	Tomas Luis De Victoria: The Choral Pilgrimage 2006. Motets and Requiem, The Sixteen conducted by Harry Christophers, ... (Site not responding. Last check: 2007-09-15)
		Tomas Luis De Victoria: The Choral Pilgrimage 2006.
		For the Marian Antiphons, Victoria made two settings of Ave Regina with wide diversity of blends within the choir whilst the text and music are as one.
		Whilst Victoria was trained in Rome and was a student of Palestrina one of the great contrapuntalists of his age, he was able to reflect his own nationality and the warmth and individuality of his native land in his music.
	www.musicweb.uk.net /SandH/2006/Jan-Jun06/sixteen1004.htm (774 words)

	Composers [Victoria, Tomas Luis de] (via CobWeb/3.1 planetlab2.cs.virginia.edu) (Site not responding. Last check: 2007-09-15)
		He was a singer and organist at Santa Maria di Monserrato (1569 to at least 1574), and from 1571 to 1576-7 he taught at the Collegio Germanico.
		For the ceremony of the separation, Victoria wrote a setting of Super flumina for two antiphonal choirs of four voices and organ; it was performed by torchlight with a collaboration of singers from the Sistine Chapel.
		Victoria wrote exclusively Latin sacred music, most of which was printed in his lifetime.
	www.rmjs.co.uk.cob-web.org:8888 /composer/cvictori.htm (302 words)

	Tomás Luis de Victoria (Site not responding. Last check: 2007-09-15)
		Victoria is considered the greatest Spanish composer of the late Renaissance.
		In 1585 he was offered a position at the Royal Convent of the Barefoot Nuns of St. Claire in Madrid, where he lived the remainder of his life.
		Victoria’s music—which was exclusively sacred— was popular during his lifetime, and his fame spread to the New World.
	www.stmartinschamberchoir.org /Education/Bios/BioVictoria.htm (199 words)

	Amazon.com: O Quam Gloriosum: Music: Tomas Luis de Victoria,David Hill (Site not responding. Last check: 2007-09-15)
		Victoria's potential was such that while still a teenager he was sent from his home in Spain to study music in Rome.
		Although Victoria wasn't one of the more prolific composers of his time, many of his masses and motets stand among the greatest and most beautiful masterpieces of the late Renaissance.
		While Victoria may not be as prolific a composer as others in the Late Renaissance, the works he composed have a distilled beauty that comes not from artifice or embellishments, but from the harmonic progress and interplay of voices.
	www.amazon.com /Quam-Gloriosum-Tomas-Luis-Victoria/dp/B000002ZHC (1268 words)

	Tomas Luis de Victoria (Site not responding. Last check: 2007-09-15)
		Tomas Luis de Victoria is possibly the best Spanish composer of all times.
		Chronology: A complete list of biographical data about Victoria, exposed chronologically and related with historical, cultural and musical facts of the XVI century.
		Other scores: A few scores of music which is not related to Victoria, but which we show here in case they are useful to anyone.
	www.upv.es /coro/victoria/english.html (312 words)

	Tomas Luis de Victoria (Site not responding. Last check: 2007-09-15)
		Disponemos de los motetes de 1572 y 1585 y de los himnos de 1581.
		Libros: Una lista de libros sobre Victoria y sobre la polifonía religiosa del siglo XVI en general.
		Textos: Textos en latín de algunas obras con traducción al castellano.
	www.upv.es /coro/victoria (358 words)

	Victoria, Tomás Luis de (1548 - 1611) (Site not responding. Last check: 2007-09-15)
		The greatest Spanish composer of the second half of the 16th century, Victoria was born in 1548 in Avila, where he had his early musical training as a cathedral chorister.
		He studied further in Rome, continuing in the service of the Jesuit Collegio Germanico before joining the newly formed order of Oratorians.
		Victoria left some twenty settings of the Mass, in addition to a number of Magnificat settings, Lamentations, responsories, anthems, psalms, motets and hymns.
	www.naxos.com /composer/victoria.htm (106 words)

	AllRefer.com - TomAs Luis de Victoria (Music: History, Composers, And Performers, Biography) - Encyclopedia (Site not responding. Last check: 2007-09-15)
		AllRefer.com - TomAs Luis de Victoria (Music: History, Composers, And Performers, Biography) - Encyclopedia
		TomAs Luis de Victoria, Music: History, Composers, And Performers, Biographies
		TomAs Luis de Victoria[tOmAs´ lOOEs´ dA vEktO´ryA] Pronunciation Key, c.1548–1611, Spanish composer.
	reference.allrefer.com /encyclopedia/V/VictoriaT.html (308 words)

	Chanticleer - "Victoria Missa Salve" '04 Bay Area Concert Press Release Page
		The Spanish Golden Age composer's mass, first published in 1592, will be performed in locales ideally suited to the music, including the historic Carmel Mission, San Francisco's Mission Dolores, and St. Joseph's Cathedral Basilica in San Jose, as well as First Congregational Church in Berkeley and St. Francis Church in Sacramento.
		Tomás Luis de Victoria was born in Avila in 1548 and is generally recognized as the greatest Spanish composer of the Renaissance.
		Victoria's legacy was assured when he managed to publish most of his work during his lifetime with the help of wealthy and powerful patrons.
	www.chanticleer.org /news_pr_2004victoria.htm (284 words)

	Tomás Luis de Victoria - Classical music composer (Site not responding. Last check: 2007-09-15)
		Brazilian composer Marlos Nobre was announced by unanimity, as the winner of the VI Tomas Luis de Victoria Prize, in Madrid, Spain.
		Tomas Luis de Victoria: Ave Maria Composed by Tomas Luis de Victoria, edited by Ralph W. Buxton.
		Ave Maria A Cappella Latin English By Tomas Luis de Victoria.
	www.classical-composers.org /comp/victoria (1311 words)

	Tomas Luis De Victoria: O Magnum Mysterium at Musicroom.com - Sheet Music for Musicians
		Tomas Luis De Victoria's O Magnum Mysterium arranged for mixed voice choir SATB by Henry Washington.
		Tomas Luis De Victoria: Masses And Motets - Missa O Quam Gloriosum
		Tomas Luis De Victoria: Masses And Motets - Missa Dum Complerentur
	www.musicroom.com /se/ID_No/0020446/details.html?kbid=1296 (187 words)

	DCD34025 Tomás Luis de Victoria The Exon Singers (Site not responding. Last check: 2007-09-15)
		DCD34025 Tomás Luis de Victoria The Exon Singers
		The Spanish master of the golden age of polyphony, Tomás Luis de Victoria, left an astoundingly beautiful legacy of antiphonal sacred music devoted to the Blessed Virgin Mary.
		Realised for the very first time here by The Exon Singers is a Vespers for the Annunciation, bringing together these works of Marian devotion in a glorious and revelatory celebration.
	www.dimusic.co.uk /DCD34025TomasLuisdeVictoriaTheExonSingers.htm (83 words)

	Polifonia Espanola: Tomas Luis De Victoria- Four Motets at Musicroom.com - Sheet Music for Musicians
		Victoria is generally regarded as the greatest and most influential Spanish composer of religious polyphonic music, comparable, if not equal, to his better known contemporary Palestrina.
		Be the first to write a review of this item.
		Tomas Luis De Victoria: O Magnum Mysterium (SSAA)
	www.musicroom.com /se/ID_No/054726/details.html?kbid=1353 (185 words)

	- Classical Music Dictionary - Free MP3
		The greatest Spanish composer of the High Renaissance, Victoria spent many years in Rome where he served as organist and choirmaster in the Jesuit Collegio Germanico before joining the Order of Oratorians.
		He returned to Spain and served in the private chapel of the Dowager Empress Maria, sister of King Philip II.
		Victoria left some twenty settings of the Mass, in addition to a number of Magnificats, Lamentations, responsories, anthems, psalms, motets and hymns.
	www.karadar.it /Dictionary/victoria.html (92 words)

	Victoria Motet
		Your sheet music is an edition of this Victoria motet, meaning that the meter and key signatures, barlines, and dynamic markings, etc. have been supplied by the editor.
		It is an okay edition, but we will be bypassing some of the editorial additions.
		You may click here at any point during your score-marking process to hear how your part fits in, and to practice singing your part in conjunction with other parts.
	www.ku.edu /~cmed/rehnotes/victoria.html (980 words)

	Victoria Requiem (Site not responding. Last check: 2007-09-15)
		Tomás Luis de Victoria - Officium defunctorum (1605)
		Victoria's Requiem (or Officium defunctorum) of 1605 is certainly one of his greatest compositions, and easily one of the masterpieces of the late Renaissance.
		It exemplifies the restrained yet fluent counterpoint for which Victoria is known.
	www.medieval.org /emfaq/cds/dga47095.htm (118 words)

	classical music - andante - naive: tomÃ¡s luÃs de victoria - 'cantica beatae virginis'
		classical music - andante - naive: tomÃ¡s luÃs de victoria - 'cantica beatae virginis'
		La Capella Reial de Catalunya, HespÃ¨rion XX, Jordi Savall
		Please read our privacy policy and terms of use for individuals or organizations.
	www.andante.com /article/article.cfm?id=25018 (53 words)

	Tomás Luis de Victoria (Site not responding. Last check: 2007-09-15)
		To the Limit (1989) (from "O Magnum Mysterium") (as Tomas Luis Victoria)
		Discuss this person with other users on IMDb message board for Tomás Luis de Victoria
		Find where Tomás Luis de Victoria is credited alongside another name
	imdb.com /name/nm0896198 (101 words)

	Composer Page - Tomás Luis de Victoria
		This magnificent recording, which shows off Victoria's mastery of the art of writing music for up to three choirs in the grandest possible manner, suggests that 2004 is a vintage year for them recordings of Renaissance polyphony rarely come much better than this' (Daily Telegraph)
		'Stunning examples of Victoria's most expressive and dramatic writing...
		Having just listened to this recording again my ears are ringing and my heart is uplifted: a perfect tonic for the bleaker part of winter' (Gramophone)
	www.hyperion-records.co.uk /composer_page.asp?name=victoria (397 words)

	Classical Net - Basic Repertoire List - Victoria
		Jordi Savall/La Capella Reial de Catalunya & Hespèrion XX 18 "Responsories for Tenebrae"/Hyperion CDA66304
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	www.classical.net /music/comp.lst/victoria.html (191 words)

	PlaybillArts: News: Brazilian Composer Awarded Tomás Luis de Victoria Prize
		Brazilian Composer Awarded Tomás Luis de Victoria Prize
		Marlos Nobre was awarded the sixth Tomás Luis de Victoria Prize on June 15 in Madrid, reports Europa Press.
		The 60,000-euro prize is awarded every two years to a composer from a Spanish- or Portuguese-speaking country; this year 57 composers were considered by a jury led by Venezuelan conductor José Antonio Abreu.
	www.playbillarts.com /news/article/4770.html (467 words)

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