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Topic: Tomas de Santa Maria

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Johannes Nucius

Heinrich Glarean

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Franchinus Gaffurius

Pietro Aron

Pietro Cerone

Johannes Tinctoris

Gioseffo Zarlino

Giovanni Artusi

Vincenzo Galilei

Burgundian School

Mass (music)

Renaissance music

1565

	Santa Maria, Bulacan - Wikipedia, the free encyclopedia
		Santa Maria is a 1st class urban municipality in the province of Bulacan, Philippines.
		Maria, as well as popular fast food chains in the poblacion area.
		Santa Maria is politically subdivided into 24 barangays.
	en.wikipedia.org /wiki/Santa_Maria,_Bulacan (169 words)

	HOASM: Tomás de Santa Maria (Site not responding. Last check: 2007-11-01)
		He devoted most of his career to writing the Libro Ilamado Arte de tañer fantasia (Valladolid, 1565), an early practical keyboard treatise made in consultation with Antonio and Juan de Cabezón ; it is contemporary with Bermudo's Declaración.
		Santa Maria treats (in book 1) notation, keyboard technique, performance, and chant; (in book 2) harmony and counterpoint.
		It clearly demonstrates the advanced state of Spanish organ technique in the mid-sixteenth century; perhaps the work's chief interest as a historical record, however, may be found in the instructions for playing his contemporaries' 'fantasies' and variations, which required a quasi-improvisatory style of performance.
	www.hoasm.org /IVL/SantaMaria.html (141 words)

	Puerto de Santa Maria, Cadiz Spain. Royal Sherry Port
		El Puerto de Santa Maria is located slightly north of Cadiz, within the province of Cadiz, on the Guadalete River outlet, in the Bay of Cadiz.
		El Puerto de Santa Maria is situated in the middle of the Parque Natural Bahia de Cadiz (Bahia de Cadiz Natural Park), and is limited by two large strips of land.
		Bullfighting in El Puerto de Santa María, is one of the strongest and deeply rooted traditions in Spain.
	www.idealspain.com /Pages/Places/santamaria.htm (1849 words)

	Santa María Polo Club - History (Site not responding. Last check: 2007-11-01)
		From that moment until now, Santa María Polo Club has been working for polo in order to be one of the most important clubs in Europe at present, positioning this location in a high place in this sector.
		Puente de Hierro I and II are founded.
		The Haciendas de San Enrique grounds I and II are built.
	www.santamariapoloclub.com /english/club_historia.asp (476 words)

	Maria Paints the Hills (Site not responding. Last check: 2007-11-01)
		Real-life Santa Fe painter Maria Hesch (1909–1994) painted innocent narratives of her life as a young girl growing up along the river and next to her grandfather’s alfalfa field that linked the family to the nearby church.
		A devoted organizer (El día de los niños/El día de los libros) and speaker to bilingual audiences nationwide, Pat Mora is the recipient of fellowships from the National Endowment for the Arts and the W. Kellogg Foundation.
		A concurrent narrative of Maria’s imaginary life penned by Pat Mora, a respected author of children’s books, paints a charming verbal portrait from the perspective of a little girl….Maria Hesch (1909-1994) was a self-taught artist and is known as Santa Fe’s Grandma Moses.
	www.patmora.com /maria.htm (463 words)

	HOASM: Tomás de Santa Maria Discography
		Ut queant laxis (Alonso Perez de Alba); 5.
		Tres libros de musica en cifras: Claros y frescos rios (Alonso de Mudarra); 8.
		Trattado de glosas: Recercadas (9) on tenors - no 4 on La folia (Diego Ortiz); 24.
	www.hoasm.org /IVL/SantaMariaDiscography.html (253 words)

	Backpacking - MISSION SANTA MARIA
		The ruins of Mision Santa Maria de Los Angeles are about as far from a road as any mission on the Baja California peninsula.
		The Santa Maria mission was the last mission built by the Jesuits before they were expelled from Mexico for political intrigues.
		Beginning in 1961, attempts were made to bulldoze a trail from Rancho Santa Ines, past the Santa Maria mission to Bahia Gonzaga on the Sea of Cortez.
	www.bajalife.com /v3pg40.htm (1703 words)

	Summi et Aeterni ORDER
		Born in Paris, Charles was the eldest surviving son of Charles VI of France and Isabeau de Bavière.
		Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons, and one of the first musicians to bring the light Italianate Renaissance style to France.
		Cristóbal de Morales (c.1500—October 7, 1553) was a Spanish composer of the Renaissance.
	jeff.ostrowski.cc /productions/summi/order.htm (14964 words)

	Santa Barbara County, California Queries
		The 1870 Santa Barbara Co. census index lists a David H. HARRER in the Ventura (San Buenaventura) P.O. This was but one member of a HARER family that moved to CA during the late 1850s - early 1860s and settled in the Santa Barbara/Ventura County area.
		Jose Antonio Arellanes was born in Santa Barbara 01-16-1819.
		The SB 1850 and 1860 census show that Isabel Maria Yorba (married name Maitorena) was the head of the household for Bernadino Lugo and Isabel Lugo and their children.
	www.cagenweb.com /santabarbara/sbarbqur.htm (7648 words)

	Caribbean Plate Tectonics
		It consists of two southward-younger volcanoes, Nevado de Colima (the 4320 m high point of the complex) on the north and the 3850-m-high historically active Volcán de Colima at the south.
		Volcán de Colima (also known as Volcán Fuego) is a youthful stratovolcano constructed within a 5-km-wide caldera, breached to the south that has been the source of large debris avalanches.
		Santa Maria has erupted in 2002 and was correctly forecasted by ERUPTION Pro 10.4.
	www.ig.utexas.edu /CaribPlate/forum/volcanoes/west_carib_021113.htm (1918 words)

	SEACEX Sociedad Estatal para la Acción Cultural Exterior
		One of these was Fray Toribio de Benavente, a fervent reader of the Rotterdam monk, who took the name of “Motolinía” (“poor soul” in Nahuatl) and founded the first bilingual school based on Erasmian ideals.
		A beautiful example of the Spanish organ, built by Pedro de Liborna de Echevarría, “master of organs of King Philip V,” in 1709, the University Chapel Baroque Organ embodies an instrumental concept that was typical of 18th century Spain.
		His attentiveness to how works were interpreted in their day and to the ideal sound as conceived in different historical periods has awakened his interest in the restoration of old instruments (historic organs and pianofortes).
	www.seacex.com /i_0302_exp.cfm?idActividad=10 (1545 words)

	MTO Dissertation Index
		Historically M. De Saint Lambert's "Les Principes du Clavecin" is the first systematical treatise, devoted to the education of playing the harpsichord.
		The De Saint Lambert’s treatise "Les Principes du Clavecin" (Paris, Ballard, 1702) is a bright witness of the 17th century harpsichord-theory and practice.
		The De Saint Lambert’s treatise "Les Principes du Clavecin" should receive a respectable place in the Bulgarian musical literature and education.
	mto.societymusictheory.org /docs/diss-index.html?id=78 (815 words)

	Genesis of a Legacy: Spanish Musicology in the Age of Robert Stevenson
		Cristobal de Morales was one of the few canonic composers of lberian background, and it was here that Stevenson made an early mark in a JAMS article of 1953 celebrating the composer's fourth centenary.
		Many were the scholars and copious was the research stimulated by the first edition of his book, and now the monster he helped create came back to haunt him as he struggled to incorporate mountains of new data into the framework of his earlier book.
		Most of the additions were concentrated in the second part of Chapter Two, now devoted to Spanish chapel masters in the latter half of the 16th century other than the triumvirate that still comprises the main substance of the volume.
	www.dartmouth.edu /~hispanic/clark1.html (1302 words)

	Santa Maria Times (Site not responding. Last check: 2007-11-01)
		Tomas Carrillo had a triple, single, RBI and run while Jesus Esparza and Ryan Mediano chipped in two singles, an RBI and run each to spark the Westside nine-hit attack.
		Santa Maria struck for two runs in the bottom of the first, singles by Esparza, Mediano and Carrillo figuring.
		In the Santa Maria fourth, Gonzales walked and scored, then Chris Sheller had a double and came home on Mediano's single.
	www.santamariatimes.com /articles/2005/06/30/news/sports/sports47.txt (1251 words)

	How were musicians trained?
		Thus Tomas de Santa Maria discussed the "defects" or unsupported accidentals of a keyboard in the prevailing tunings of his times (very likely meantone) in terms of missing notes in hexachords built on various degrees.
		Thus the comment of one writer around the 13th or 14th century that a group of singers without their tenor would be like a company of soldiers without their captain.
		Similarly, both Zarlino (1558) and Tomas de Santa Maria (1565; 1) combine traditional two-voice counterpoint with extended discussion of harmony for three or more voices, where the arrangement of the consonances in compound sonorities becomes a vital ingredient of technique and style.
	www.medieval.org /emfaq/misc/trained.html (497 words)

	Guitarra Magazine - An online Guitar Publication - Guitar History and Arts (Site not responding. Last check: 2007-11-01)
		Two years later, Luis de Narvaez, another excellent composer and teacher of the vihuela, published his "Los Seis Libros del Delphin", which constitute a model of musical invention and justify his fame.
		Of the guitar, for which Sanz composed or transcribed gallardas, villanas, jacaras, pasacalles, pavanas, espanoletas, folias, fugues, fantasias, chaconas, zarabandas, etc., he states, "it is neither perfect nor imperfect, but rather, it depends on what you do with it.
		Therefore, the perfection or imperfection of the guitar is in the person who plays it." Regino Sainz de la Maza says of this treatise that "it is the most far-reaching of the 17th century.
	www.guitarramagazine.com /GuitarArts2 (410 words)

	Hexachords - Renaissance and Manneristic approaches
		Thus Tomás de Santa María (1565), for example, in a treatise devoted mainly to the art of composed or improvised keyboard music (or music for other polyphonic instruments such as the vihuela or harp), urges that the musician study the solmization of each voice.
		Tomás de Santa María, in his treatise on composed or improvised music for keyboard or other solo polyphonic instruments, places considerable emphasis on solmization not only as a rudiment of vocal music but as a guide to instrumental practice also.
		Using solmization to illustrate these forms, Santa María notes that in a remissa cadence one of the voices moves mi-re-mi while the other concludes by descending a semitone; in a sostenida cadence, one of the voices moves fa-mi-fa while the other concludes by descending a whole-tone.
	www.medieval.org /emfaq/harmony/hex3.html (8424 words)

	Hispanica: Music
		Santa Maria was a Dominican monk and an accomplished organist and composer.
		He spent sixteen years perfecting his Arte de tañir fantasia; it was finished in 1557, but due to a shortage of paper at that time was not printed until 1565.
		His own skill as a composer is shown in the second part where the short pieces used as examples are all that remain to us of his own work.
	special.lib.gla.ac.uk /exhibns/hispanica/music.html (104 words)

	Illegal Immigration VS Americans for Legal Immigration PAC Forums-viewtopic-Western sheep ranchers depend on foreign ...
		Yellowjacket Pass - Boots caked with manure, face spattered with blood, Peru vian shepherd Tomas Santa Maria corrals bleating lambs by the hundred in a green mountain pasture in northwest Colorado.
		In their pasture north of Meeker, Santa Maria, 47, and fellow Peruvians Pedro Hurtado, 40, and Toledo Echevarria, 49, say they love the work.
		Once, on a visit to check up on shepherds, she watched one lying on his belly surrounded by dozens of sheep that were silent, seemingly mesmerized.
	www.alipac.us /ftopict-5209.html (1804 words)

	Titanic Records Ti-188
		Sebastián Aguilera de Heredia: Obra de I Tono; Obra de I Tono, Salve Regina
		In addition to specializing in the organ music of J. Bach, which he played in its entirety in 13 recitals in 1985, he was a strong advocate for contemporary organ music.
		There is a companion disc: The Organ in Santa Prisca, Taxco, México, Ti-187.
	www.titanicrecords.com /Ti188.html (213 words)

	16th Century
		It would be followed by The Dolphin (1538), by Luis de Narváez, and Three Books of Music in Cipher for Vihuela (Seville, 1546) by Alonso de Mudarra.
		Other vihuela players were Enríquez de Valderrábano author of the anthology Jungle of Sirens (1547), Diego Pisador -Book of Music for Vihuela (1552)- and Miguel de Fuenllana -Orphenica Lyra-.
		Their equivalent for organ would be the Book of New Cipher for Keys, Harp and Vihuela (Alcalá de Henares, 1557) by Luis Venegas de Henestrosa and the Works of Music for Key, Harp and Vihuela (1578) by Antonio de Cabezón (Burgos, 1510-1566), edited by his own son.
	www.spanisharts.com /musica/i_sigloXVI.html (412 words)

	Santanyi Organ
		Juan Bautista José Cabanilles (1644-1712): Tiento de VI tono
		Antonio de Cabezon (1510-1566): Tiento de II modo
		Juan Bautista José Cabanilles (1644-1712): Pasacalles I, de I tono
	www.sonusparadisi.cz /organs/santanyi/demos.0.asp (1078 words)

	TOURISM, ADVENTURE (HIKES & TOURS), CHILLI TOURS GUATEMALA
		In the Santa Elena coffee farm, located in the Pacific Slope of Guatemala, an hour ride from Quetzaltenango, coffee has been grown for three generations.
		During the tour one can appreciate the natural beauty and the magnificent views of the powerful Rio Samala, and a post-card like view of the Santa Maria and Santiaguito volcanoes in the distance.
		We then carry on receiving a coffee tour, which includes a moderate hike in the farm and in the different buildings, where coffee is processed.
	www.chillitoursguate.com /products.htm (3077 words)

	Reviews of Recent Recordings of Hispanic Music
		Juan Thomas of the Coro Hispanico de Mallorca, to include music from Spanish California from the extensive collection brought by Alta California's preeminent musician, Fray Juan Bautista Sancho.
		Continental classicizing tendencies are heard in the 1796 Mass of the Fifth Tone, brought from the Convento de San Francisco, Palma, Mallorca, to California by Juan Sancho in 1804.
		I had mentioned to Louis that there were stacks of large-scale compositions in Mexican cathedrals that were ready to be roused from their sleep as revived, "living" musical pieces.
	www.dartmouth.edu /~hispanic/v4n1rec.html (3584 words)

	Miguel Roig-Francolí - Publications
		“Procesos compositivos y estructura musical: Teoría y práctica en Antonio de Cabezón y Tomás de Santa María.” In Políticas y prácticas musicales en el mundo de Felipe II (Madrid: Instituto Complutense de Ciencias Musicales, 2004), pp.
		“Paradigms and Contrast in Sixteenth-Century Modal Structure: Commixture in the tientos of Antonio de Cabezón.” Journal of Musicological Research 19 (2000):1-47.
		“En torno a la figura y la obra de Tomás de Santa María: Aclaraciones, evaluaciones, y relación con la música de Cabezón.” Revista de Musicología (Madrid) 15/1 (Spring 1992):55-85.
	www.ccm.uc.edu /comp_theory_hist/RoigFrancoli/publications.htm (297 words)

	Cabanilles Sheet Music (Site not responding. Last check: 2007-11-01)
		Obras de Antonio, Juan y Hernando de Cabezon; Pedro Alberto Vila; Jimenez, Francisco Peraza; Francisco Fernandez Palero; Pedo de Soto; Sebastian Aguilera de Heredia; Bernardo Clavijo de lCastillo; JuanBautista; Jose Cabanilles y autores desconocidos.
		Volume 1 of a collection of keyboard music by Spanish composers of the 16th to 18th century, revised and transcribed by Antonio Baciero.
		Composers include Fray Tomas de Santa Maria, Antonio de Cabezon, Juan Cabanilles, Sebastian de Albero, Julian Prieto and J.B. Pergolesi.
	www.charlespiano.com /sheet_music/artist/Cabanilles (177 words)

	Doctoral Dissertations
		Cielo de tambores; tradiciones Afrocubanas en 'Songoro cosongo, Motivos de son y West Indies Ltd.' de N. Guillen y 'Viaje a la semilla' de A. Carpentier (Spanish text, Cuba).
		The Marian repertory by Tomas Luis de Victoria in Toledo, 'Biblioteca Capitular Mus.
		The thoroughbass theory of José de Torres y Martínez Bravo with an annotated translation of 'Reglas Generales' (1736).
	web.gc.cuny.edu /BrookCenter/Doctoral_Diss.htm (3687 words)

	Classical CD Review Archive - Classical - Feb 2003 part 7 M-Z: Classical MusicWeb (UK] (Site not responding. Last check: 2007-11-01)
		Tiento de medio registro de tiple, 6 à 8:
		Cristina Garcia Banegas (Uruguay), Organist Historic organ: by Frère Pedro de Matos, 1791-92, restored by Pascal Quoirin, 1997,Convent of Santa Clara de Sucre, Sucre, Bolivia.
		Historic organ: by Frère Pedro de Matos, 1791-92, restored by Pascal Quoirin, 1997, Convent of Santa Clara de Sucre, Sucre, Bolivia.
	www.musicweb.uk.net /classrev/2003/Feb03/1aFeb03-7.htm (2966 words)

	Trinic and Triadic Harmony, by Margo Schulter
		To many people, "chords" are implicitly built in thirds, or must consist of three distinct "pitch classes," so that I personally prefer to use the terms "combination" or "multi-voice sonority" in a medieval context in order to minimize confusion.
		By around the time of Jannequin and the early 16th-century Italian madrigalists, say the 1520's, we might speak of a "triadic" texture where sonorities with a fifth divided into two thirds, or a sixth divided into a lower third and upper fourth (e.g.
		By the middle of the century, theorists such as Vicentino (1555), Zarlino (1558), and Tomas de Santa Maria (1565) are emphasizing this standard of full sonority.
	sonic-arts.org /td/schulter/sch1588.htm (1299 words)

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