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| | Camera movement in Vertigo |
 | | The next shot consists of a languid, fluid camera movement that tracks back from Scottie at the bar through a partition that at once separates and connects the bar and the dining area, as he glances screen-left to the back of the restaurant. |
 | | As the camera tracks around the embracing couple the background transforms into the Mission San Juan Bautista stable, the historical place of Scottie’s last embrace with Judy, and the place associated with Carlotta Valdes, and finally into an ethereal, timeless jade-green light (nominally motivated by the presence of a neon sign outside the hotel room). |
 | | The forward-tracking point-of-view shot, backward-tracking reaction-shot structure of the film creates a movement in which the object of sight and desire, the lure for the gaze, keeps, as it were, receding from view. |
| labyrinth.net.au /~muffin/camera_movement.html (1918 words) |
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