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| | Guardian Unlimited Film | Reviews | Traffic |
 | | But despite an apparent equivalence of moral squalor between Mexico and the United States, Traffic makes it subtly clear that the official corruption is all happening south of the Rio Grande; the worst that the Americans are guilty of is a surfeit of innocence. |
 | | Soderbergh appears to be inviting us to consider his eventual reunion with her, and support for her therapy programme, as the morally redemptive centre of this big complex film. |
 | | Traffic aspires to show a total vision of drugs, and yet the only actual users shown are The Kids: whereas we all know the users are The Adults, too: blue-collar and white-collar, lawyers, truck-drivers, cops and, erm, movie folk. |
| film.guardian.co.uk /News_Story/Critic_Review/Guardian_Film_of_the_week/0,4267,428800,00.html (966 words) |
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