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| | fletcherfoster |
 | | Although literal death is averted in Fletcher's tragicomedies, the consequence of the sex-death symbiosis that he dramatizes is to render representations of sexuality that are morbid, warped, and disturbing. |
 | | Typically, his tragicomedies include subsidiary, often lower-class characters, often women, such as citizens' wives or ladies-in-waiting, whose insatiable sexual desires and enthusiastic indulgences arouse satiric laughter and at least make the audience think twice about the exquisite sexual agonies of their (often male) social superiors. |
 | | Tragicomedy is no longer concerned, as in medieval and late Shakespearean versions of the genre, with the individual's place in the spiritual universe but with private emotional experience. |
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