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	Encyclopedia: Trespass (album)
		Trespass 1970 is the second studio album released by Genesis.
		While the band's lineup was nearly identical to that of their previous album, From Genesis to Revelation, Trespass' progressive rock sound was a marked departure from their earlier work, and foreshadowed the path the band would follow through the 70's.
		While most of the tracks on the album are only of historical interest to fans, the rocking nine-minute closer, "The Knife" became a live favourite and appeared on Genesis' 1973 live compilation.
	www.nationmaster.com /encyclopedia/Trespass-(album) (136 words)

	Trespass (album) - Wikipedia, the free encyclopedia
		Trespass is the second studio album by Genesis and was recorded and released in 1970.
		While the band's lineup was nearly identical to that of their previous album, From Genesis to Revelation, Trespass had a folk-flavoured progressive rock sound that was a marked departure from their earlier work, and foreshadowed the path the band would follow through the 1970s.
		Although Trespass was not a commericial success, it was a critical one and despite its lack of sales, it managed to reach a peak of #98 in the UK upon its 1984 re-release.
	en.wikipedia.org /wiki/Trespass_(album) (348 words)

	Genesis - Satan Stole My Teddybear
		Trespass is definitely one of the most recommended albums in the early years for Genesis.
		Though Genesis was going to spend a lot more time between albums, they were still on a creative streak that allowed their music to be both conventionally mainstream and of the highest quality at the same time.
		The most impressive segment of the album is the two part "Domino", which was as epic and complex as the band would even attempt to be at this point in their career.
	www.ssmt-reviews.com /db/searchrev.php?artistID=482&showReview=true (4494 words)

	Amazon.co.uk: Trespass: Music (Site not responding. Last check: 2007-10-08)
		For their first Charisma album, and the fact that the band members couldn't have been much out of school when launched, this is a masterpiece of musical and poetic ingenuity and technical quality.
		Overall, the album is not quite a masterpiec but deserves much more recognition than it currently receives, but the best was yet to come as the lineup underwent another facelift...
		The point of 'Trespass' is not to reach any philosophical conclusion but to express that life is a battle for understanding and between good and evil; represented by the lyrics 'some of you are going to die' (in a distorted voice) vs. 'We have won!'.
	www.amazon.co.uk /exec/obidos/ASIN/B000024E9F (1722 words)

	Trespass (Site not responding. Last check: 2007-10-08)
		The album was overproduced and it became evident that the group didn't have their own sound yet (many complain that the band's first albun sounds like an early Bee Gees rip off!) By 1970, the group had changed its name to the shorter Genesis.
		From the beginning to the very end, Trespass is one of the best (and sadly, most underrated) albums in the Genesis catalogue.
		Trespass is underrated Genesis, and it's a crime this album hasn't gotten more positive publicity over the years.
	467972.onlinesportdiscount.com /3436373937302d312d423030303030324e5a4f.html (1130 words)

	GENESIS
		This album was everything TRESPASS had failed to be: heavier, more focused, and filled with riches, from the anthemic "Watcher of the Skies" to the bitingly sarcastic take on landlords, "Get 'Em Out By Friday." The album was dominated by orchestral Mellotrons and organs through which guitar lines cut and over which soared flutes.
		TRESPASS was released in 1970, and generally Genesis released one album a year up through the mid-70's.
		That first album was released in 1968, and is a simple collection of around a dozen songs, all of which sound like the sort of demos a "song writers' collective" of teenaged boys might write.
	www.holeintheweb.com /drp/drpg.htm (1637 words)

	ALBUM REVIEWS Before you begin reading these reviews (Site not responding. Last check: 2007-10-08)
		It is nothing like any other Genesis album, sounding at times like really bad early Bee Gees music (which the band openly admits that they attempted to mimic to continue to attract the passing interest of their then producer, Jonathan King, who was partial to the Bee Gees at the time).
		Trespass would remain one of the band's heaviest and darkest albums of their career.
		Anyone who buys the album for the first time now might not realize that the original U.S. version of the album was a double LP with the fourth side containing studio tracks (including "Me and Virgil" which you can no longer get on any Genesis album).
	www.worldofgenesis.com /GenesisAlbumReviews.htm (3885 words)

	Amazon.ca: Music: Trespass (Site not responding. Last check: 2007-10-08)
		Thats when they were at thier most creative and multitalented and Trespass thier second album perfectly shows this on all its long songs which are most of the album.
		Although they were using 16-track (a quantam leap forward since their first album was uning 4-track recording) the sound is very murky and somewhat cloudy.
		The album's closer, and show-stopper, is "The Knife", the hardest rocker on the album, which tells the story of a rebel leader willing to line his path to glory with the bodies of his supporters.
	www.amazon.ca /exec/obidos/ASIN/B000002NZO (1360 words)

	Ground and Sky review - Genesis - Trespass
		This album is definitely a step in the prog direction, compared to the band's elevator music folk-rock debut.
		However, for me, Trespass is arguably the Genesis album that hits the closest to the heart.
		Anthony Phillips (his last album with the band), Mike Rutherford, and sometimes Tony Banks weave resplendent 12-string acoustic tapestries, interlocking effortlessly with the flute, organ, and piano.
	www.progreviews.com /reviews/display.php?rev=gen-tres (791 words)

	DPRP CD Reviews - 2002 - Volume 34 (Site not responding. Last check: 2007-10-08)
		Overall, the thing that immediately became obvious when playing the album the first time was the fact that this new album is a lot more darker and mysterious than the previous two albums, which tended to be quite lively.
		The album comes to a close with Aftermath which is sadly overshadowed by White Glove, yet in itself possess some impressively dynamic contrasts with some delicate guitar solos accompanied by deep orchestral chords and percussion as the vocals are "relegated" to a narrative format which further adds to the depth and intensity of this piece.
		Those familiar with the previous two album from Nathan Mahl are well aware that the only piece missing from the story is the actual sentencing of the subject of the story who has been accused of sorcery.
	www.dprp.vuurwerk.nl /reviews/0234.htm (4023 words)

	New Gibraltar Encyclopedia of Progressive Rock TO-TW
		My feeling is that this is the kind of album that will appeal to both "neo-prog" fans and also to those who might normally turn up their noses at a "progressive" album; this is pretty accessable stuff, musically at least.
		Their album The Cold Light of Darkness is a concept piece telling the story of a drug addict and the effects drugs have upon her life.
		The album is obviously a concept album and in the vein of Ange, the vocals are theatric often being the voice of many different characters.
	www.gepr.net /to.html (14935 words)

	Detailed Reviews [Trespass - 2002 - "In Haze of Time"] - ProgressoR
		And I have a strong desire to say at the outset that Trespass is not only the best Israeli band (which is beyond any question), but also one of the best among those contemporary bands that perform Classic Symphonic Art-Rock.
		The album is filled with a highly complex and intricate (often, simply mind-blowing), yet, at the same time, very intriguing progressive music from the first to the last note.
		Back to the best four pieces on the album, most of those parts of them that reveal a pure Classical Music were also performed up-tempo, though, and often without drums.
	www.progressor.net /review/trespass_2002.html (806 words)

	TRESPASS (IS) In Haze of Time reviews and MP3
		Heard about this album by a member of a forum I visit sometimes, with some doubts downloaded the sampler expecting to hear another Genesis wanna-be band, but I was mistaken.
		Trespass debut album "In Haze of Time" is the best debut album I've heard for a very long time.
		TRESPASS are a new 3-piece band from Israel, but they released a CD featuring music that could have easily come out of another era.
	www.progarchives.com /Progressive_rock_discography_CD.asp?cd_id=3290 (2654 words)

	GENESIS Trespass reviews and MP3
		TRESPASS is the genesis of their sound and influence, for ever and ever.
		I whuld say that this album is like ITCOTCK from King crimson, an album they never improved upon sure all the album that came after this was huge steps for prog rock, but in my humble opinion this is thire best and the bigest stepthey ever took.
		This album has been one of my most favourite prog albums for 10 years, and I attribute most of that to the fact that this is the most menacing and ominous Gabriel and the whole group ever sounded.
	www.progarchives.com /Progressive_rock_discography_CD.asp?cd_id=2448 (11900 words)

	Sam Ulwards Album Reviews :
		Probably this album is the culmination of all progressive music (at least it's one of the 5 greatest albums ever made).
		The album isn't bad, though, even the Banksballads have their moments, and I suppose some people says this is a masterpiece.
		They really intended to make a good album, that's obvious: The songs are well-worked and suited so that they'll attract both their pop and their prog audience, though landing somewhere in between - there are some people who likes it, but those gotta be insane diehards or unexperienced pop fanatics.
	www.geocities.com /noel_kjuss/genesis.htm (8972 words)

	Articles - Peter Gabriel (Site not responding. Last check: 2007-10-08)
		It was one of the first commercial albums recorded entirely to digital tape (using a Sony mobile truck), and featured the early, extremely expensive Fairlight CMI sampling computer.
		Gabriel toured extensively for each of his albums, continuing the dramatic shows he began with Genesis, often involving elaborate stage props and acrobatics which had him suspended from gantries, distorting his face with fresnel lenses and mirrors, and wearing unusual makeup.
		The result was one of his most personal albums, followed by a world tour that consisted of two stages: a round one and a square one, united by a bridge that he crossed riding a boat.
	www.centralairconditioners.net /articles/Peter_Gabriel (2478 words)

	Trespass (album) -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-08)
		Trespass (album) -- Facts, Info, and Encyclopedia article
		While the band's lineup was nearly identical to that of their previous album, From Genesis to Revelation, Trespass
		While most of the tracks on the album are only of historical interest to fans, the rocking nine-minute closer, "The Knife" became a live favourite and appeared on Genesis' (Click link for more info and facts about 1973) 1973 live compilation entitled Genesis Live.
	www.absoluteastronomy.com /encyclopedia/t/tr/trespass_(album).htm (480 words)

	Amazon.com: Trespass: Music (Site not responding. Last check: 2007-10-08)
		The classic Genesis line-up with Collins and Hackett were still one album away, but the "Trespass" line-up of the band still deliver the goods in tremendous fashion.
		It's a fabulous, memorable rocker, the first Genesis signature tune.The classic album cover, featuring a renaissance painting with a big knife slashing across the painting, is a perfect reflection of both the album's beauty and power.
		"Trespass" was Genesis' first true musical statement, and a firm sign of things to come from this incredible band.
	www.amazon.com /exec/obidos/tg/detail/-/B000002NZO?v=glance (2150 words)

	Relationships with Peter Gabriel
		A new Peter Gabriel album might be on the horizon.
		During "The Knife", a popular live song from the Trespass album, Gabriel would perform a stunt that, two decades later, became extremely common: stage diving.
		He famously refused to title his first four solo albums, since he wanted them to be considered as issues of a magazine instead of individual works.
	www.topsynergy.com /famous/Peter_Gabriel.asp (1255 words)

	UK70s Prog Rock Greats
		In the 1970s, critics often derided prog as being pretentious, highlighting its excesses while ignoring its unique qualities.
		Prog's often-inspired compositions and superior musicianship were not lost on the millions of fans scooping up albums like "Close to the Edge," "Trick of the Tail" and "Brain Salad Surgery." While punk and disco have not aged well, progressive rock not only survived the 1970s, but still sounds as great today, if not
		Many listeners not even born when the music was made write in all the time to ask about it and want to know more.
	www.uk70s.com (597 words)

	Song Lyrics :: Genesis lyrics - Trespass album - Dusk lyrics
		Song Lyrics :: Genesis lyrics - Trespass album - Dusk lyrics
		Genesis lyrics - Trespass lyrics - Dusk lyrics
		All song lyrics, logos, trademarks, album cover art, and other creative works are and remain copyright and property of their respective owners.
	www.lyred.com /lyrics/Genesis/Trespass/Dusk (149 words)

	Classic Rock Start Page ~ Album Review ~ Trespass - In Haze Of Time (Site not responding. Last check: 2007-10-08)
		Classic Rock Start Page ~ Album Review ~ Trespass - In Haze Of Time
		Gil Stein rushes over the keys like a wizard, and together with the rhythm-tandem Gabriel Weissman (drums) and Roy Bar-tour (bass), Trespass makes a solid impression.
		is a good album that will make you listen over and over again, because there's a lot of quality in it!
	www.classicrock-startpage.com /trespassinhazeoftime.html (250 words)

	Song Lyrics :: Genesis lyrics - Trespass album
		Song Lyrics :: Genesis lyrics - Trespass album
		If Trespass album isn't complete, submit new song.
		Would you please SUBMIT another Genesis song to us?
	www.lyred.com /lyrics/Genesis/Trespass (103 words)

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